{"as_of":"2026-08-09T19:44:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:77939ba374ff9a88988c25f76d4221ef9848066dceec774f16c5b3c9847f67b2","coverage":[{"denominator":0,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":0,"source":"paper_references, paper_reference_links","source_observed_at":null,"state":"measured"},{"denominator":5,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":5,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-09T06:31:02.800959+00:00","state":"measured"},{"denominator":5,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":5,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-08T22:29:37.728240Z","state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"arxiv_reference","source_observed_at":"2026-05-11T06:51:25.096688Z","state":"measured"}],"external_citation_measurements":[],"inbound":[{"citation":{"cited_paper":{"arxiv_id":"2107.05944","last_updated":"2021-07-13T09:33:11Z","snapshot_observed_at":"2026-08-04T00:00:19.737232Z","submitted_at":"2021-07-13T09:33:11Z","title":"The Piano Inpainting Application","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2107.05944","snapshot_observed_at":"2026-08-08T22:29:37.728240Z","title":"The piano inpainting application,","venue":null,"work_id":null,"year":2021},"citing_paper":{"arxiv_id":"2502.04522","last_updated":"2025-05-16T14:56:53Z","snapshot_observed_at":"2026-08-09T05:47:13.380978Z","submitted_at":"2025-02-06T21:45:38Z","title":"ImprovNet -- Generating Controllable Musical Improvisations with Iterative Corruption Refinement","version":4},"reference_index":41,"source":"pdf_text","source_observed_at":"2026-08-08T22:29:37.728240Z"},"links":{"cited_paper":"/paper/2107.05944","citing_paper":"/paper/2502.04522"},"observation_digest":"sha256:9ea5a3769cb685d8409e3c94c12d4eff16c4c59743e0d813fa292799184577b5","observation_id":"66afaa1a-c740-4c0d-aa6f-359c61e23f59","resolution":{"observed_at":"2026-08-08T22:29:37.728240Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2107.05944","last_updated":"2021-07-13T09:33:11Z","snapshot_observed_at":"2026-08-04T00:00:19.737232Z","submitted_at":"2021-07-13T09:33:11Z","title":"The Piano Inpainting Application","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2107.05944","snapshot_observed_at":"2026-08-08T10:25:17.169942Z","title":"The piano inpainting ap- plication,","venue":null,"work_id":null,"year":2021},"citing_paper":{"arxiv_id":"2502.08122","last_updated":"2025-02-12T05:03:49Z","snapshot_observed_at":"2026-08-08T10:18:53.957987Z","submitted_at":"2025-02-12T05:03:49Z","title":"Hookpad Aria: A Copilot for Songwriters","version":1},"reference_index":27,"source":"pdf_text","source_observed_at":"2026-08-08T10:25:17.169942Z"},"links":{"cited_paper":"/paper/2107.05944","citing_paper":"/paper/2502.08122"},"observation_digest":"sha256:40de6dae178cdec19c8ce7ec0fac890585bdb4049b05bf171dc333e12e981d8a","observation_id":"80fe40ca-5baa-4c94-8b1d-a007e8335900","resolution":{"observed_at":"2026-08-08T10:25:17.169942Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2107.05944","last_updated":"2021-07-13T09:33:11Z","snapshot_observed_at":"2026-08-04T00:00:19.737232Z","submitted_at":"2021-07-13T09:33:11Z","title":"The Piano Inpainting Application","version":1},"cited_work":{"arxiv_id":"2107.05944","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":"2107.05944","snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"The Piano Inpainting Application","venue":null,"work_id":"b4e68110-a98c-4d6f-a88b-06363f5cc9b8","year":2021},"citing_paper":{"arxiv_id":"2604.07855","last_updated":"2026-04-09T06:12:16Z","snapshot_observed_at":"2026-07-06T22:57:05.146373Z","submitted_at":"2026-04-09T06:12:16Z","title":"Hidden Biases in Conditioning Autoregressive Models","version":1},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-05-10T17:25:16.452480Z"},"links":{"cited_paper":"/paper/2107.05944","citing_paper":"/paper/2604.07855"},"observation_digest":"sha256:8e506f3674c4d3f916e2d74a4fd1e51b200fc68a050f41ada7b8f288c4e0ecdf","observation_id":"cff46a8d-5b96-49e7-b1ff-dbb3e0d0e31e","resolution":{"observed_at":"2026-05-11T06:51:25.276333Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-09T06:31:02.800959+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-09T06:31:02.800959+00:00","source":"crossref"},{"observed_at":"2026-08-09T06:30:57.326959+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2107.05944","last_updated":"2021-07-13T09:33:11Z","snapshot_observed_at":"2026-08-04T00:00:19.737232Z","submitted_at":"2021-07-13T09:33:11Z","title":"The Piano Inpainting Application","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2107.05944","snapshot_observed_at":"2026-07-14T06:54:13.985331Z","title":null,"venue":null,"work_id":null,"year":2021},"citing_paper":{"arxiv_id":"2607.11124","last_updated":"2026-07-31T09:19:35Z","snapshot_observed_at":"2026-08-05T23:10:59.970798Z","submitted_at":"2026-07-13T06:00:06Z","title":"BeatEdit: Symbolic Music Generation as Explicit Editing","version":1},"reference_index":13,"source":"pdf_text","source_observed_at":"2026-07-14T06:54:13.985331Z"},"links":{"cited_paper":"/paper/2107.05944","citing_paper":"/paper/2607.11124"},"observation_digest":"sha256:32bc17dbcee650f87a135059a8c79e9b8774687f477e027caf802b4537b9179d","observation_id":"38333b75-e35d-4fbc-a5a8-b28dba480855","resolution":{"observed_at":"2026-07-14T06:54:13.985331Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2107.05944","last_updated":"2021-07-13T09:33:11Z","snapshot_observed_at":"2026-08-04T00:00:19.737232Z","submitted_at":"2021-07-13T09:33:11Z","title":"The Piano Inpainting Application","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2107.05944","snapshot_observed_at":"2026-08-03T02:00:28.865768Z","title":null,"venue":null,"work_id":null,"year":2021},"citing_paper":{"arxiv_id":"2607.11124","last_updated":"2026-07-31T09:19:35Z","snapshot_observed_at":"2026-08-05T23:10:59.970798Z","submitted_at":"2026-07-13T06:00:06Z","title":"BeatEdit: Symbolic Music Generation as Explicit Editing","version":2},"reference_index":11,"source":"pdf_text","source_observed_at":"2026-08-03T02:00:28.865768Z"},"links":{"cited_paper":"/paper/2107.05944","citing_paper":"/paper/2607.11124"},"observation_digest":"sha256:5cbfc93c8e34aa220dc0838be35b115a8beebb2e3161aea5c8dc908a97249eac","observation_id":"3482b204-9146-4f55-ac2b-a71bd0438d07","resolution":{"observed_at":"2026-08-03T02:00:28.865768Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}}],"links":{"evidence":"/evidence","html":"/paper/2107.05944/citation-record","integrity":"/paper/2107.05944/integrity","json":"/paper/2107.05944/citation-record.json","paper":"/paper/2107.05944"},"outbound":[],"paper":{"arxiv_id":"2107.05944","last_updated":"2021-07-13T09:33:11Z","latest_version":1,"primary_category":"cs.SD","snapshot_observed_at":"2026-08-04T00:00:19.737232Z","submitted_at":"2021-07-13T09:33:11Z","title":"The Piano Inpainting Application"},"reference_resolution":{"displayed":0,"state_counts":{"malformed_identifier":0,"metadata_mismatch":0,"parse_uncertain":0,"unresolved":0,"verified_exact":0,"verified_fuzzy":0},"total_outbound_references":0},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-09T06:31:02.800959+00:00","source":"crossref"},{"observed_at":"2026-08-09T06:30:57.326959+00:00","source":"retraction_watch"}],"thesis":"As of 9 August 2026, this Paper Citation Record lists 0 of 0 outbound references and 5 inbound Pith citation observations for arXiv:2107.05944."}