{"as_of":"2026-08-17T13:03:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:77579160aa25f5ce4c95be368e5ca38201b493c8942fcc2dc4679c08aa4c645e","coverage":[{"denominator":26,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":26,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-15T17:23:47.534495Z","state":"measured"},{"denominator":26,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":26,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-17T06:30:58.91139+00:00","state":"measured"},{"denominator":0,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":0,"source":"paper_references, paper_reference_links","source_observed_at":null,"state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"cited_works","source_observed_at":null,"state":"measured"}],"external_citation_measurements":[],"inbound":[],"links":{"evidence":"/evidence","html":"/paper/2508.12626/citation-record","integrity":"/paper/2508.12626/integrity","json":"/paper/2508.12626/citation-record.json","paper":"/paper/2508.12626"},"outbound":[{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.368274Z","title":"write newline","venue":null,"work_id":null,"year":null},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":1,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.368274Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:8d50b3c9e4fdb489b1847a9457201e0b4fbad0709244fb0ecf9ada2447182c12","observation_id":"0f66fa52-6388-4c69-ad0f-c7c92c8979e8","resolution":{"observed_at":"2026-08-15T17:23:47.368274Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:48.076470Z","title":"Yang and H","venue":null,"work_id":"a4045d89-2085-4ad8-876c-6184caab5a56","year":2012},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":2,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.375047Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:1abe1ae86b98de4cd167eb39c64f1294066ffe49342e91a1c9806c51b5e233b7","observation_id":"49dc8666-2c7e-479a-99d6-e6dd20d1c4eb","resolution":{"observed_at":"2026-08-15T17:23:48.081756Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:48.058001Z","title":"Aljanaki, y.-h","venue":null,"work_id":"c7d815f8-84c2-40c6-ae1a-820a4df8e390","year":2017},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":3,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.380900Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:82f81d6ca7f0e6854aaa707a4cb4b1c52e792aa356dd4d1a1497482c3e15b639","observation_id":"f6cbf811-b568-4006-bbdb-5059a9f312b3","resolution":{"observed_at":"2026-08-15T17:23:48.064308Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:48.036276Z","title":"Aljanaki, F","venue":null,"work_id":"4f14ffba-f410-405d-ac24-ba620823b2f3","year":2016},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":4,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.386814Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:9f676f3a319de833dc7e7db5af3486bcf6cca5d0205edc27a8c325687d42f7fa","observation_id":"4568679b-2762-46b4-9ef0-f643527c086e","resolution":{"observed_at":"2026-08-15T17:23:48.045544Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:48.016524Z","title":null,"venue":null,"work_id":"aeb707e2-580b-403f-b4c2-b01dcac108f8","year":2019},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":5,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.392919Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:095ac20f00234353ae7cf15fae071ada0aebfca85fc47dd139ed077037087d57","observation_id":"8247d50a-65e5-42fd-a144-01ea0ccefedf","resolution":{"observed_at":"2026-08-15T17:23:48.024082Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.997640Z","title":null,"venue":null,"work_id":"a2479389-43fc-4ec8-b763-856f67b70750","year":2021},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":6,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.400310Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:23a531bf73081a0c38aa160fec44ce32067fa2a4109ff7b265e65ccca3386e54","observation_id":"e6942b24-9645-4516-b3dc-0025236b161e","resolution":{"observed_at":"2026-08-15T17:23:48.003305Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.979807Z","title":"Barthet, G","venue":null,"work_id":"a6e0ca7a-c420-4f93-8ff7-014b821febf9","year":2013},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":7,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.406636Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:c1ce08b4caea20f588c384bf61e6836b7c6dca715cdd7e512eee201b2048a09d","observation_id":"782bd57c-0e16-4a9d-8d7f-8e481ceba6b1","resolution":{"observed_at":"2026-08-15T17:23:47.985372Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"1809.07276","last_updated":"2018-09-19T16:16:57Z","snapshot_observed_at":"2026-08-14T18:26:17.152950Z","submitted_at":"2018-09-19T16:16:57Z","title":"Music Mood Detection Based On Audio And Lyrics With Deep Neural Net","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"1809.07276","snapshot_observed_at":"2026-08-15T17:23:47.412752Z","title":"Delbouys, R","venue":null,"work_id":null,"year":2018},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":8,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.412752Z"},"links":{"cited_paper":"/paper/1809.07276","citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:c9f34bdf4bc856c4163f67de6d8c6f3a9013954ef810b5c15ddef0001d2f72b6","observation_id":"66219a9c-f16a-4d08-b401-171b443d469b","resolution":{"observed_at":"2026-08-15T17:23:47.412752Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.961429Z","title":null,"venue":null,"work_id":"ee61d39a-8c37-4fab-bbc1-5406914bc9a1","year":2020},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":9,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.418623Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:fb6599e5e2623218953d77138894903f2b9a374d9657065d4d3fb514d84af415","observation_id":"e3365990-0786-4006-a57d-709245c7e787","resolution":{"observed_at":"2026-08-15T17:23:47.967261Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.940624Z","title":null,"venue":null,"work_id":"db2f3975-d467-4c81-b949-ec33b8ff56de","year":2017},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":10,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.424765Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:7625f1385cdd7adf959cf7d82540e7d6d75ff5fb44720fad45e1e312eaf5d57e","observation_id":"e35a0bb7-20f6-48a2-8d8e-618549baf49b","resolution":{"observed_at":"2026-08-15T17:23:47.947849Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.920707Z","title":"Agrawal, R","venue":null,"work_id":"85407b2a-6759-4e6b-80c6-342237d09a0c","year":2021},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":11,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.429629Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:8a080326a8b2d985f54471fa03f2a7e0ea3e9914cec2360394b41e5b6a60c81b","observation_id":"6bcca861-3fbc-44c6-8543-8db54ef9cc42","resolution":{"observed_at":"2026-08-15T17:23:47.927547Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.901831Z","title":"Hu and J","venue":null,"work_id":"24e14ea2-acfc-461a-9c2a-679d35f2457a","year":2007},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":12,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.434631Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:0fb5b2540f89e4eb9883ba3476fdbf32098ae4bda15363c11dfecf1f73f4f084","observation_id":"6ab6b37c-002d-4744-a489-535f1c12d6a4","resolution":{"observed_at":"2026-08-15T17:23:47.907506Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.885183Z","title":null,"venue":null,"work_id":"f6c7cc99-e08f-4881-8c71-7270e511cc1b","year":2022},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":13,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.440612Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:133c6322e2c8caf3d33cf451fc49cbdb807fd746850dd1d0d06d5c22e5bef085","observation_id":"2f8da818-4539-4ada-9650-aa9395c1dbf1","resolution":{"observed_at":"2026-08-15T17:23:47.890072Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.866830Z","title":"Turnbull, L","venue":null,"work_id":"43be473c-8684-4dd1-b462-312d170ef1f4","year":2007},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":14,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.446975Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:6ffd01207a300ce18e91ede9ab0a3f241a0d34d610580250db1da278d3a372be","observation_id":"bfbbeaf2-fda0-4c0a-8c04-8a7796baca7f","resolution":{"observed_at":"2026-08-15T17:23:47.872946Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2407.06060","last_updated":"2025-06-18T02:04:36Z","snapshot_observed_at":"2026-08-16T13:36:06.495798Z","submitted_at":"2024-07-08T16:01:04Z","title":"MERGE -- A Bimodal Audio-Lyrics Dataset for Static Music Emotion Recognition","version":3},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2407.06060","snapshot_observed_at":"2026-08-15T17:23:47.452574Z","title":null,"venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":15,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.452574Z"},"links":{"cited_paper":"/paper/2407.06060","citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:1716e75f8149b10285346f9dc2d1fe271631451d4eaeb0a5ffd363bdcb121f5f","observation_id":"e9465bd9-d25b-4778-9314-4757d7311fbc","resolution":{"observed_at":"2026-08-15T17:23:47.452574Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.849166Z","title":null,"venue":null,"work_id":"af46a5f8-6d99-4100-b0a8-ce1eb513ec08","year":2010},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":16,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.461584Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:814c0795b76283ef0354f7db6077819940d498330c68022425f9719429262ad8","observation_id":"f2ffd25f-5c9c-465a-a412-4ae88e60c9c8","resolution":{"observed_at":"2026-08-15T17:23:47.854466Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.830371Z","title":"Donnelly and A","venue":null,"work_id":"21c0145d-bd59-4365-8883-1e8e1bed8d90","year":2022},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":17,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.470122Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:13e1cd441fa3aef271aef9671b15086a6e5cdc41f1266ac33f631b1822d48c16","observation_id":"50a6b9e5-89a0-42e8-bdff-26e17ad8aab5","resolution":{"observed_at":"2026-08-15T17:23:47.836671Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.811390Z","title":null,"venue":null,"work_id":"4e4e113b-39ba-4e24-9b0a-c717a11ceda8","year":2008},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":18,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.475678Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:95695917baf2d2c75370920c0a6b5e8ee4bad259a39f76780a1971a4f7ea5246","observation_id":"e86f1e5d-8b7a-4bb3-8fd4-3ebe6b53acf8","resolution":{"observed_at":"2026-08-15T17:23:47.817631Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.794773Z","title":null,"venue":null,"work_id":"d44acc99-c650-46a2-959b-94fef5a0a761","year":2024},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":19,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.483309Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:a1373319fe681c7a4ef499113af5fe2149673783d9bcbfb085b1d85b0bcc73f9","observation_id":"e1afdc91-d304-4b9c-8ae4-f69e00cbeb41","resolution":{"observed_at":"2026-08-15T17:23:47.799601Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.767862Z","title":"Gilardi, M","venue":null,"work_id":"c973d602-63a2-45df-8ac3-4ff7c6d72ebe","year":2023},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":20,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.488779Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:d4a5bd05c2791a4afd66c59b57992b167b06ed14c5261629cbff7edcb7ae55f8","observation_id":"0a6875b4-61f3-4e76-8c7b-524ed17dd367","resolution":{"observed_at":"2026-08-15T17:23:47.776352Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.745827Z","title":"He, C.-Y","venue":null,"work_id":"ed2361bf-936d-4027-bc97-7b4e0c3db1f1","year":2024},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":21,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.496108Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:13419b9f314bd0ba85989e16908def5a0e4fa83a3f54e7b5aea17187af3bb327","observation_id":"a72ee6ce-7bdb-48fc-9dd5-ebfeb7331e6a","resolution":{"observed_at":"2026-08-15T17:23:47.752241Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.723526Z","title":null,"venue":null,"work_id":"aa58657e-098c-4618-aed8-66ace6f0b2d0","year":2021},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":22,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.500982Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:b2b8293d10e64de5d4612c3ba770c96f7c4c385f5812e4ebeab3098bee58de19","observation_id":"cb51826f-9e46-41bc-8129-cab1fe3c30a2","resolution":{"observed_at":"2026-08-15T17:23:47.730288Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.704603Z","title":"Edmonds and J","venue":null,"work_id":"febdb284-5d2e-4b98-914b-99d543947149","year":2021},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":23,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.507565Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:92837ac4f58ce9a7d4dfd3fc7e93a017cef3eda53c8cc8af03396a1a0ac16fef","observation_id":"bbe2449f-b731-489a-adb4-65a825c80f29","resolution":{"observed_at":"2026-08-15T17:23:47.710991Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.686457Z","title":"Donnelly and A","venue":null,"work_id":"b31447e5-767c-4966-bde5-705469f0cd2e","year":2022},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":24,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.513843Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:12b333e2aeade9c750715e3d8623b3456fab779c0602969d2b7be04659862901","observation_id":"843b3ee3-46fa-45d3-b20f-d2d73d20d53e","resolution":{"observed_at":"2026-08-15T17:23:47.691477Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.666067Z","title":"Russell, `` A circumplex model of affect ,'' Journal of personality and social psychology, vol","venue":null,"work_id":"4a1bcee8-b239-4282-9003-49fb699b929f","year":1980},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":25,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.520777Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:296d93d42e2d800d55ada900480acb9567ab3acf39f77be682435bb09b351395","observation_id":"fb1a6e19-d57d-46e4-8bda-3d8a51c967f5","resolution":{"observed_at":"2026-08-15T17:23:47.673424Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-15T17:23:47.637859Z","title":"Gabrielsson, ``Emotion perceived and emotion felt: Same or different?'' Musicae Scientiae, vol","venue":null,"work_id":"f37bb87b-2ce0-48fb-b6a0-280dcfd67ed7","year":2001},"citing_paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation","version":1},"reference_index":26,"source":"arxiv_source","source_observed_at":"2026-08-15T17:23:47.534495Z"},"links":{"citing_paper":"/paper/2508.12626"},"observation_digest":"sha256:692fb284f95f3c9bc3fe6ed544841490f76061d2b86ab1d50112c142210504fa","observation_id":"b38dd6bc-2486-47e8-b67e-8bc76970dd77","resolution":{"observed_at":"2026-08-15T17:23:47.647492Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}}],"paper":{"arxiv_id":"2508.12626","last_updated":"2025-08-18T04:58:15Z","latest_version":1,"primary_category":"cs.SD","snapshot_observed_at":"2026-08-15T17:18:29.152671Z","submitted_at":"2025-08-18T04:58:15Z","title":"Exploring the Feasibility of LLMs for Automated Music Emotion Annotation"},"reference_resolution":{"displayed":26,"state_counts":{"malformed_identifier":0,"metadata_mismatch":0,"parse_uncertain":0,"unresolved":12,"verified_exact":0,"verified_fuzzy":14},"total_outbound_references":26},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"thesis":"As of 17 August 2026, this Paper Citation Record lists 26 of 26 outbound references and 0 inbound Pith citation observations for arXiv:2508.12626."}