{"as_of":"2026-08-18T07:21:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:7069315a4a52193de5809adae8a859d6bcf85d23a141d1346d8b3676faa24557","coverage":[{"denominator":57,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":57,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-12T11:53:43.704840Z","state":"measured"},{"denominator":58,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":58,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-18T06:34:40.430872+00:00","state":"measured"},{"denominator":1,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":1,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-12T11:53:43.487049Z","state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"pith","source_observed_at":"2026-08-12T11:53:43.796191Z","state":"measured"}],"external_citation_measurements":[],"inbound":[{"citation":{"cited_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"cited_work":{"arxiv_id":"2608.11026","doi":null,"metadata_source":"pith","pith_arxiv_id":"2608.11026","snapshot_observed_at":"2026-08-12T11:53:43.796191Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","venue":"eess.AS","work_id":"94233605-f4f8-4d89-adeb-8501331c79d7","year":2026},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":4,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.487049Z"},"links":{"cited_paper":"/paper/2608.11026","citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:b56ac708ca9ab8bce6dff5e4783943ee09a5578074b3a0faddf40c86116b9199","observation_id":"bbfff349-c8aa-492e-89f6-e63b72860672","resolution":{"observed_at":"2026-08-12T11:53:43.802741Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}}],"links":{"evidence":"/evidence","html":"/paper/2608.11026/citation-record","integrity":"/paper/2608.11026/integrity","json":"/paper/2608.11026/citation-record.json","paper":"/paper/2608.11026"},"outbound":[{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.501020Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","venue":null,"work_id":"8bf935b0-76ed-40cd-b51b-36117dd8b5cf","year":2026},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":1,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.473471Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:e865f160c3f0cc6b104ef0db629ed7026d51a3f91ce70b275294f7a87532d00a","observation_id":"72d3f8a4-e0d9-414b-b5fc-66497f512d28","resolution":{"observed_at":"2026-08-12T11:53:44.505407Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.488692Z","title":null,"venue":null,"work_id":"545fc936-4b02-4538-ba3e-51c526de1aaf","year":null},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":2,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.478612Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:6d35d5e5c1f1fca6b9ded2e7276c80e7a14185fef92bc4387dca1c25fac3342a","observation_id":"ad5a8fa3-625f-4a57-9339-39f2242a2f91","resolution":{"observed_at":"2026-08-12T11:53:44.492384Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.476064Z","title":null,"venue":null,"work_id":"b10bbb83-5dc4-4115-b3bf-c2bcabd41910","year":null},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":3,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.482620Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:6f4c7dd992d93ab2e3124c96432f9002ed150903a27cf976594e4f66b387bcec","observation_id":"804cb4c4-8894-4bf3-adc0-b7b23c4155be","resolution":{"observed_at":"2026-08-12T11:53:44.480234Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"cited_work":{"arxiv_id":"2608.11026","doi":null,"metadata_source":"pith","pith_arxiv_id":"2608.11026","snapshot_observed_at":"2026-08-12T11:53:43.796191Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","venue":"eess.AS","work_id":"94233605-f4f8-4d89-adeb-8501331c79d7","year":2026},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":4,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.487049Z"},"links":{"cited_paper":"/paper/2608.11026","citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:b56ac708ca9ab8bce6dff5e4783943ee09a5578074b3a0faddf40c86116b9199","observation_id":"bbfff349-c8aa-492e-89f6-e63b72860672","resolution":{"observed_at":"2026-08-12T11:53:43.802741Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.462544Z","title":null,"venue":null,"work_id":"accf52e6-4b7b-4b1a-8502-0e36e5b34392","year":null},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":5,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.491562Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:811840191a11bd0cdabfcfb37a105b57c653139a41c21e0df4439f4ac529bf6e","observation_id":"5ddd71df-04c9-4d9d-b006-ddacac82be6d","resolution":{"observed_at":"2026-08-12T11:53:44.467307Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.449100Z","title":null,"venue":null,"work_id":"6f07fd77-29f0-4156-b612-6204555622de","year":null},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":6,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.496148Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:407eb92ecee867537d08718186954ea445d70302994543aa59eac5c5d53e8d43","observation_id":"8e693020-6b2f-49ad-b46e-6dd5914951b9","resolution":{"observed_at":"2026-08-12T11:53:44.453555Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.435268Z","title":null,"venue":null,"work_id":"eafeb53a-6240-4254-bae4-ae9572ed9ae1","year":null},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.500801Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:fb84f7b04fad5fbcf2b5cb100f08aff09599629b94f86dcf352a5e462c58f11a","observation_id":"6348f9e8-121d-4540-a6f4-5fad4d18bf96","resolution":{"observed_at":"2026-08-12T11:53:44.439650Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.422123Z","title":"conspicuous mistake","venue":null,"work_id":"31be1da3-8a26-4f01-b258-ec8e41ca860c","year":2015},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":8,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.505139Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:92ee746222127bfe7e50afd1844adf12027a4fd59262936ff395aedee7689d32","observation_id":"c4313818-fd41-47e1-ab79-b0badbebb9d1","resolution":{"observed_at":"2026-08-12T11:53:44.426210Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.408213Z","title":"We contribute ∼4,000 annotated recordings across six expertise levels and six recording contexts, spanning from child beginners to concert virtuosi","venue":null,"work_id":"c2141321-c1ec-4d99-8b67-ea330bedf212","year":null},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":9,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.509782Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:44b0425791378011a660b7f551cc34c998e00e21daf614cbd3a54b40a1588e30","observation_id":"af0d3054-845f-4ca0-827f-4901d86ae013","resolution":{"observed_at":"2026-08-12T11:53:44.413085Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.394478Z","title":"The corpus includes children’s practice and showcase videos and commercial or concert recordings by professional pianists","venue":null,"work_id":"527528f2-569d-4bac-a329-b3d826ba4b1a","year":null},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":10,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.514338Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:77c99d1db94dce66a1046a8a48a40595c06c7278d5c449729ed5fcdbdca2fb44","observation_id":"65a1b998-142e-4062-8ca1-82522ab5e975","resolution":{"observed_at":"2026-08-12T11:53:44.399168Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.380770Z","title":null,"venue":null,"work_id":"15f4220e-2699-4d1a-a033-0c274b998fd7","year":null},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":11,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.518385Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:fbbe04856f9b6781a6ec07584fde271248caf36f7912a114709053fb8b6f3c2a","observation_id":"6141150d-9a45-4bf4-9661-3747ff7a894c","resolution":{"observed_at":"2026-08-12T11:53:44.385094Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.368002Z","title":"Sounds out of pläce? Score-Independent de- tection of conspicuous mistakes in piano performances,","venue":null,"work_id":"d1f0cd3f-448d-4e24-a63f-6e735c8a77ce","year":2023},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":12,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.522471Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:70793561bbf058c1f9da1fb9e0232a678b9e070763472e5cd8c64f75b640c716","observation_id":"b567bebf-32ac-4e7b-9de1-5d1dbc8b6f8b","resolution":{"observed_at":"2026-08-12T11:53:44.372002Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.354170Z","title":"Simulating piano performance mistakes for music learning,","venue":null,"work_id":"3661aa2d-31c1-4008-b3ae-4bc3e285b609","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":13,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.526741Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:fac441c35124d372106f69713f9e1a644ecab6db720d806668f3c8f0b19d6f62","observation_id":"8c730473-0547-43a0-ab62-20f42b75b325","resolution":{"observed_at":"2026-08-12T11:53:44.358627Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.340025Z","title":"RUMAA: Repeat-aware unified music audio analysis for score- performance alignment, transcription, and mistake de- tection,","venue":null,"work_id":"2f649344-156a-4cdd-a0c0-d89469777706","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":14,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.530840Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:c2df345c7034a065f49fdc2699b3c8922b5a6a41a7d09f35d4d723333bc0f17e","observation_id":"83c2db88-6701-4b91-a645-0e403d776eea","resolution":{"observed_at":"2026-08-12T11:53:44.344677Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.325340Z","title":"How does the teacher rate? Observations from the NeuroPiano dataset,","venue":null,"work_id":"2a5f558e-0e4f-4ad5-9058-1682a18e170d","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":15,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.535423Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:0ab55b26a46fb984ab7f2de75fd3dc4f183555441f402aea658637d34a295a2e","observation_id":"398cabde-629d-467b-a596-c67eaecfefdf","resolution":{"observed_at":"2026-08-12T11:53:44.329992Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.311891Z","title":"From audio en- coders to piano judges: Benchmarking performance understanding for solo piano,","venue":null,"work_id":"8f581a93-9188-41fd-a633-64e48b2f1905","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":16,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.539623Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:3643cd428e727d8ae3fff8d113725c7af95a84b90cbf4376d06b274052a9d754","observation_id":"9a2ec8f1-c630-43f4-b8af-0ff5b1170cdf","resolution":{"observed_at":"2026-08-12T11:53:44.316294Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.298403Z","title":"LLaQo: Towards a query-based coach in expressive music performance assessment,","venue":null,"work_id":"ed1e514b-a5af-47ff-b6f2-5b992d28ddf5","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":17,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.543975Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:a699826c901e12c0916b60e44c6e6f9f5ae47f2c9d458e4885844ec8fb1108e1","observation_id":"3b225bae-ddc8-4b31-be96-5bc6c4aa5ad3","resolution":{"observed_at":"2026-08-12T11:53:44.303058Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.284815Z","title":"Modeling the difficulty of sax- ophone music,","venue":null,"work_id":"fbd70ed6-a15e-4235-a75d-5188d0ad3c65","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":18,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.548138Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:2f74975dc180168415beb62e55fa86ced2abf350924ab30aaca8e96e16bd65cf","observation_id":"f47593f1-7f9a-44af-843d-db59eb4f5586","resolution":{"observed_at":"2026-08-12T11:53:44.289201Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.270757Z","title":"Playability prediction in digital guitar learn- ing using interpretable student and song representations,","venue":null,"work_id":"b9899237-7d06-4161-b004-010183814c96","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":19,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.552300Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:430b3dae85727f04c01e7d3611838860c12ba00f14096b3ea470f84524a15e66","observation_id":"42273f6f-c47a-400f-a6e8-f240476bd198","resolution":{"observed_at":"2026-08-12T11:53:44.275167Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.256548Z","title":"What song now? Personalized rhythm guitar learning in western popular music,","venue":null,"work_id":"ab29f2a5-4043-4685-a4ea-9ce5860e6d6d","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":20,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.555811Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:c0b2ae1a408e6549d798438f6bc4899093d964096fea9d63d68c5ea3342f229f","observation_id":"7a142df5-47c5-4110-add7-a930e8ce084b","resolution":{"observed_at":"2026-08-12T11:53:44.261407Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.243743Z","title":"Enabling empirical analysis of piano perfor- mance rehearsal with the Rach3 MIDI dataset,","venue":null,"work_id":"e8bd409b-df26-4a79-965b-b53623c5ec61","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":21,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.559591Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:9ec266912ef7d5aff1413999d785c60c147c999eae13ff090746bf6ddf80f864","observation_id":"b6fbbb56-07af-4ec4-91bd-27807ae73fff","resolution":{"observed_at":"2026-08-12T11:53:44.247580Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.231242Z","title":"PianoV AM: A multimodal piano perfor- mance dataset,","venue":null,"work_id":"383bbaf6-f8ef-46cb-931f-2bd1cb84b381","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":22,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.563215Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:bcd6a92c3fe935410b72caf6120a7dc0aca14a14e89ce50b9c913464ab079013","observation_id":"61df9542-4078-4f52-8881-49d6e7faeb9e","resolution":{"observed_at":"2026-08-12T11:53:44.235124Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.218070Z","title":"Predicting flutist onset timing in duet performance: A multimodal analysis of gesture and breath cues,","venue":null,"work_id":"a314f1b2-8361-488d-8697-3ddaa37fe9c3","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":23,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.566725Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:de58083cecd48ce795528d7669690042e230e85d791e41b791afc98f990a49b0","observation_id":"d711c6df-0865-4f71-863c-80eb834f0a71","resolution":{"observed_at":"2026-08-12T11:53:44.222039Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.204443Z","title":"ATEPP: A dataset of automatically transcribed expressive piano performance,","venue":null,"work_id":"5678078b-1a50-49b7-a045-1272516d673d","year":2022},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":24,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.570187Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:37881e315c23316f83a259b4dd69bd3ad565ce1ceffc12dda4f4cefab90ffdad","observation_id":"c35a64c6-f507-4e01-ac45-ff840f3f705e","resolution":{"observed_at":"2026-08-12T11:53:44.208967Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.189893Z","title":"ASAP: A dataset of aligned scores and per- formances for piano transcription,","venue":null,"work_id":"ff9c7bea-d867-43a2-8c8b-db06b9089016","year":2020},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":25,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.573767Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:065803f46e3e8430171b2c8d88a0457dfeb2c27feb9fd930d680f0b997c75f9e","observation_id":"c06faa20-c266-43e9-bd67-b4b4195dbb63","resolution":{"observed_at":"2026-08-12T11:53:44.194821Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.176611Z","title":"A path towards autonomous machine intelli- gence,","venue":null,"work_id":"8ff89d67-38ed-4bbe-892c-fc58e4a0db53","year":2022},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":26,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.577562Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:3e6b1f38c5e17ac26463efd6479760334f91a19750e8ff9beb9643518423471f","observation_id":"3aabf4cf-5d69-481e-a383-35519e4e2481","resolution":{"observed_at":"2026-08-12T11:53:44.180964Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.163081Z","title":"LLM-JEPA: Large language models meet joint embedding predictive architectures,","venue":null,"work_id":"67020cc6-bc55-423e-b0d8-baf9f449ec1e","year":2026},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":27,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.581681Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:02d50ca4d63751313e4dc722860e294f7b5555904309d634fbb95f3de02571b3","observation_id":"7ba9fdab-ea5c-4194-b149-6e4b8047e86b","resolution":{"observed_at":"2026-08-12T11:53:44.167510Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.149301Z","title":"Pop music transformer: Beat-based modeling and generation of expressive pop piano compositions,","venue":null,"work_id":"95713080-7233-4f41-ae10-8fa8f55f6d04","year":2020},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":28,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.585726Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:076f432ecfc2ae8705e8f9aa2914f5c5f850dacac02d777fd19a0a15ca1d5745","observation_id":"e84852db-1331-494c-9595-f4773dd27653","resolution":{"observed_at":"2026-08-12T11:53:44.153752Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.135272Z","title":"Compound word transformer: Learning to compose full-song music over dynamic directed hypergraphs,","venue":null,"work_id":"a9c40719-34f1-4147-b8c4-1239c22c7602","year":2021},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":29,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.590094Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:f7f8a165ddddde0f5b48f26175391d9942a1caf4daa7446d5dc52a69dd4271be","observation_id":"1068617f-0666-453d-bd80-1630ac75da60","resolution":{"observed_at":"2026-08-12T11:53:44.139994Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.121709Z","title":"MusicBERT: Symbolic music understanding with large- scale pre-training,","venue":null,"work_id":"2c5302f1-609d-41f0-80c1-5f7eeadedf2d","year":2021},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":30,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.594237Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:4c4974e636cecec8328da389f2ccba92b489517b1b1fee111f439ebdb0b53401","observation_id":"ac6d4ae0-a533-46fd-8210-618e2dce32be","resolution":{"observed_at":"2026-08-12T11:53:44.126148Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.107472Z","title":"PerTok: Expressive encoding and modeling of symbolic musical ideas and variations,","venue":null,"work_id":"eb907196-ce57-42a9-ba57-56679cee0c75","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":31,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.598343Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:dcb09e48ebe319abbc994d501e6c8cce955e3753fad35c0d93316a35d33cf1d1","observation_id":"3a2da043-5583-4a1f-9fcb-b277300a26b9","resolution":{"observed_at":"2026-08-12T11:53:44.112026Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.093744Z","title":"MidiBERT-Piano: Large-scale pre-training for symbolic music understanding,","venue":null,"work_id":"40034d99-a365-46ea-bdfd-b98b783aaff3","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":32,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.602321Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:3772e7cc9815660674383fb1b4f5c2bd63a69152d7cb6c909ed4deaa879311df","observation_id":"dd4b0509-9ac6-47a7-932d-44af7780d2ab","resolution":{"observed_at":"2026-08-12T11:53:44.098339Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.078794Z","title":"PianoBART: Symbolic piano music gen- eration and understanding with large-scale pre-training,","venue":null,"work_id":"14f629ef-89b9-4e0f-9bbc-fb6abcac2f15","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":33,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.606357Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:c8acfad01d894246739321c28bb083f7b89762d8449289261e6de51ff4c2a335","observation_id":"06b56f53-8e6b-40c1-990b-eaae97b5b494","resolution":{"observed_at":"2026-08-12T11:53:44.083684Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.066057Z","title":"Chat- Musician: Understanding and generating music intrin- sically with LLM,","venue":null,"work_id":"bdde8fb4-99fe-444a-99c4-91fb68d950f5","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":34,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.610421Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:a15fb78641f7e1c5a1c4c768741d8181deec20596ea72e2b02714be9091fe5ab","observation_id":"a307ede8-0ee9-481c-8674-ac56cf0ba0ea","resolution":{"observed_at":"2026-08-12T11:53:44.069907Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2306.00110","last_updated":"2023-05-31T18:34:16Z","snapshot_observed_at":"2026-08-16T15:27:47.225337Z","submitted_at":"2023-05-31T18:34:16Z","title":"MuseCoco: Generating Symbolic Music from Text","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2306.00110","snapshot_observed_at":"2026-08-12T11:53:43.615128Z","title":"MuseCoco: Generating symbolic music from text,","venue":null,"work_id":null,"year":2023},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":35,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.615128Z"},"links":{"cited_paper":"/paper/2306.00110","citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:7eaec7787f7f8df6df8e00bab9a95ee18fcfe945a117b9836d830be86eac2e95","observation_id":"b79b0309-166e-435f-92ce-956e8ed5bf42","resolution":{"observed_at":"2026-08-12T11:53:43.615128Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2505.15559","last_updated":"2025-05-21T14:17:25Z","snapshot_observed_at":"2026-08-17T18:52:14.163792Z","submitted_at":"2025-05-21T14:17:25Z","title":"Moonbeam: A MIDI Foundation Model Using Both Absolute and Relative Music Attributes","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2505.15559","snapshot_observed_at":"2026-08-12T11:53:43.619330Z","title":"Moonbeam: A midi foundation model using both absolute and relative music attributes,","venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":36,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.619330Z"},"links":{"cited_paper":"/paper/2505.15559","citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:274fbc53dac73eb49eafdf3f525ac328b6fa6a5170c53b04efeba63f87458a52","observation_id":"1c3a0d74-0ff0-41d5-8724-1112d461c9f1","resolution":{"observed_at":"2026-08-12T11:53:43.619330Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.053874Z","title":"Scaling self-supervised representation learn- ing for symbolic piano performance,","venue":null,"work_id":"3cbf038e-eb6e-49ec-bd96-40fc6e7038bb","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":37,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.623872Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:dc751d5037a16229c2239af80b0389b609c8c9f3fcbcac9703afeb3e2bc77901","observation_id":"e286756b-c367-4020-a810-da38023e9153","resolution":{"observed_at":"2026-08-12T11:53:44.057968Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.040924Z","title":"CLaMP 3: Universal music information retrieval across unaligned modalities and unseen languages,","venue":null,"work_id":"3220ddee-e474-4a13-80cd-4adc7e524bba","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":38,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.628024Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:e52b9ce5a76475d736a8897bd9d9fadc82472b1959409aefb3bf8a958c2178be","observation_id":"ff180eb0-cd8d-48ff-b31e-131cf6563c78","resolution":{"observed_at":"2026-08-12T11:53:44.045191Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2512.02652","last_updated":"2026-06-25T17:55:31Z","snapshot_observed_at":"2026-08-07T00:43:14.307768Z","submitted_at":"2025-12-02T11:13:29Z","title":"Pianist Transformer: Towards Expressive Piano Performance Rendering via Scalable Self-Supervised Pre-Training","version":2},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2512.02652","snapshot_observed_at":"2026-08-12T11:53:43.632140Z","title":"Pianist transformer: To- wards expressive piano performance rendering via scalable self-supervised pre-training,","venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":39,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.632140Z"},"links":{"cited_paper":"/paper/2512.02652","citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:dba5958ccd11ea28d3e0ae0b04f3f7ca68a24720524c8a846f315c6fd9f93e78","observation_id":"cffc234b-9e84-4387-9fcb-d0a11d041f43","resolution":{"observed_at":"2026-08-12T11:53:43.632140Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.027746Z","title":"Combining piano performance dimensions for score difficulty classification,","venue":null,"work_id":"98a6b9c0-86c1-4ad9-b0a1-daa13e660d71","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":40,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.636743Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:951b4b07a644278116c559d72cee8952714dd98838ac17dfc295b91b9ee29dcc","observation_id":"d91932fb-cc95-41e5-ad74-aa9108fc0b13","resolution":{"observed_at":"2026-08-12T11:53:44.031983Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.014816Z","title":"Pianist identifica- tion using convolutional neural networks,","venue":null,"work_id":"76fac4f8-9697-464c-adcc-884462d03a09","year":2023},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":41,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.640720Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:2aaf9aa3f86d5585373dc7924873a14592ffba32c48274ef29bfe57d4fe2e745","observation_id":"9944b919-2ed9-4fd0-92da-46337b246141","resolution":{"observed_at":"2026-08-12T11:53:44.019114Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:44.000957Z","title":"Lad- dersym: A multimodal interleaved transformer for mu- sic practice error detection,","venue":null,"work_id":"56b9f229-6323-4005-9e5d-6e8cfe7f7061","year":2026},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":42,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.644813Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:e3e47b001e8eb6f5df9e702970b14068a52f40fd6850334a593362570cb7643b","observation_id":"634ec0af-7f63-4cde-8927-410af01548e8","resolution":{"observed_at":"2026-08-12T11:53:44.005408Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.987743Z","title":"Self-supervised learning from images with a joint- embedding predictive architecture,","venue":null,"work_id":"6295eebc-4861-48ea-9659-04757ae976e1","year":2023},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":43,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.648793Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:4e2e8a3a0d459f2539b0e9b39b165610553048628b251f3ba6df864c87a421a7","observation_id":"1f5196c1-229c-46c6-bb7f-447974c4f9e0","resolution":{"observed_at":"2026-08-12T11:53:43.991940Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2506.09985","last_updated":"2025-06-11T17:57:09Z","snapshot_observed_at":"2026-08-15T13:40:01.739055Z","submitted_at":"2025-06-11T17:57:09Z","title":"V-JEPA 2: Self-Supervised Video Models Enable Understanding, Prediction and Planning","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2506.09985","snapshot_observed_at":"2026-08-12T11:53:43.652621Z","title":"V-JEPA 2: Self-supervised video models enable understanding, prediction and planning,","venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":44,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.652621Z"},"links":{"cited_paper":"/paper/2506.09985","citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:ecec74191aea8a6e0d0091ab7fa6d097979571845e7c5281e879f7fd5efff683","observation_id":"c39c7182-ce01-43d5-afe8-cd86c2adda6c","resolution":{"observed_at":"2026-08-12T11:53:43.652621Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.974056Z","title":"Audio-JEPA: Joint-embedding predictive architecture for audio representation learning,","venue":null,"work_id":"d633c73c-0d58-47a8-912e-006fb9680990","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":45,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.657171Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:03d481f30aaca4997db8de8fa86494e976f99dbb793ec0f6be8cdb6bc85c8677","observation_id":"e504901c-0688-4fc8-8054-da89ee5d9ce4","resolution":{"observed_at":"2026-08-12T11:53:43.978760Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.959332Z","title":"Stem-JEPA: A joint-embedding predictive architecture for musical stem compatibility estimation,","venue":null,"work_id":"d040a0fd-4ca8-442b-9bbd-5baf18c21d51","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":46,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.661272Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:47cd52eac6738844e396530e8d95a75b7bda527564d176f26880e377a19de3b9","observation_id":"0667b103-1c81-45f8-a58e-03a6db52a6f3","resolution":{"observed_at":"2026-08-12T11:53:43.964267Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.945159Z","title":"Compose with me: Collaborative music inpainter for symbolic music infilling,","venue":null,"work_id":"ffdf271c-e9ce-437e-a82c-a8ef6f0ca66a","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":47,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.664739Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:89da40392ea0c1413e2eff91e4f88da72d6e254e69de7e4f4f3f91d423fd9151","observation_id":"2999726a-8175-4273-b2fa-fc549ea38628","resolution":{"observed_at":"2026-08-12T11:53:43.949542Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.931159Z","title":"Self-supervised representation learning with a JEPA framework for multi-instrument music transcription,","venue":null,"work_id":"b7e027b5-208e-42ea-b849-ea9b746c49c5","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":48,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.668291Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:73ff94427e5d6a4d4f7acb0561a02d20a72b1b3b795572d6bbfd79f56294f807","observation_id":"8af713df-c301-4598-a12e-62814ba057bd","resolution":{"observed_at":"2026-08-12T11:53:43.935673Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.918388Z","title":"Using a joint-embedding predictive architecture for symbolic music understand- ing,","venue":null,"work_id":"d2f73e69-ac07-4af5-bdb5-b477d2940d8d","year":2025},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":49,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.672114Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:3b961a68dbc2cdfd5dc3c3ed38652aa41fad241b95d6d85f708f9b45b3492ea7","observation_id":"6cb0db0e-3340-4d57-8f2a-a670dc0332af","resolution":{"observed_at":"2026-08-12T11:53:43.922253Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.905645Z","title":"Scoring time intervals using non- hierarchical transformer for automatic piano transcrip- tion,","venue":null,"work_id":"45c5e244-5408-4592-8e85-8970e31bd2ba","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":50,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.675953Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:2d7030c148dea8d82d62b92398c63bb44bcc92eab16b1cccec1760a72296b231","observation_id":"8b14cd09-f8ff-4247-8084-84fea05a847a","resolution":{"observed_at":"2026-08-12T11:53:43.909824Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.892820Z","title":"Aria-amt: Efficient and robust automatic piano transcription,","venue":null,"work_id":"d537591c-5831-494b-9730-7ae2f9577ff0","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":51,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.679922Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:8f9603862ed5b49b5a4c57600aacbaa907a21e59f12ac1527b9c7ec219a49b0a","observation_id":"7be90c6f-b4a7-47fc-9f93-3442b036b091","resolution":{"observed_at":"2026-08-12T11:53:43.897014Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.683794Z","title":"LoRA: Low-rank adaptation of large language models,","venue":null,"work_id":null,"year":2022},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":52,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.683794Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:368bdf8944c3d9f3eb9c82746597a271b7a2138946b8d5b904d0c85cf0598498","observation_id":"0979ef9c-4579-4961-b20c-94d3d4caed00","resolution":{"observed_at":"2026-08-12T11:53:43.683794Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.868971Z","title":"RoFormer: Enhanced transformer with rotary posi- tion embedding,","venue":null,"work_id":"fdb2a495-7215-4848-845b-93b0013fdac5","year":2024},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":53,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.688103Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:61dcbdac95f20075f9a4172efd55730684fdbc7b76db620f2b8f49dc481eeb18","observation_id":"fea182fd-bb0f-40c3-b564-639301b3f0d9","resolution":{"observed_at":"2026-08-12T11:53:43.873910Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.855464Z","title":"Audio- based piano performance evaluation for beginners with convolutional neural network and attention mechanism,","venue":null,"work_id":"924f04f2-44d4-4ce5-abf9-636e2cf0a9d1","year":2021},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":54,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.692256Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:c21df742152d35e4ac030042048ffd4a3f16a343cea4930ce742d245733d912a","observation_id":"cb4c56e8-4b4d-457f-98c3-da3283555c69","resolution":{"observed_at":"2026-08-12T11:53:43.859816Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.841690Z","title":"Piano skills assess- ment,","venue":null,"work_id":"ca8181a1-2773-4c77-95fe-bded3b74abe2","year":2021},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":55,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.696525Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:16357e612869c68a24eece748821f88e9497b46942037e7c3c85e54538cf1d35","observation_id":"30f8e932-4cc0-44ee-9af2-1866b85267f4","resolution":{"observed_at":"2026-08-12T11:53:43.846224Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.827270Z","title":"Expert and novice evaluations of piano per- formances: Criteria for computer-aided feedback,","venue":null,"work_id":"1472d31e-cd8f-4b1a-9465-e9ccc026e3fc","year":2023},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":56,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.700702Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:1994aaa5e8fb489cdf79ee9ed59693dad5922b66d65659b67c2332ce190e7e10","observation_id":"10eae5ad-bcd7-435d-aaac-e1a826216bc8","resolution":{"observed_at":"2026-08-12T11:53:43.831810Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-12T11:53:43.812749Z","title":"Score-informed transcription for automatic piano tutoring,","venue":null,"work_id":"e2b8c741-ec0c-42c0-ac0e-4146b03e3d12","year":2012},"citing_paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space","version":1},"reference_index":57,"source":"pdf_text","source_observed_at":"2026-08-12T11:53:43.704840Z"},"links":{"citing_paper":"/paper/2608.11026"},"observation_digest":"sha256:c2b4f43f2541e13d6c1f0ef4dd6768a68ceeb916348622eb84119998e9145ab3","observation_id":"e57739af-96c8-46b4-9595-7f614ad220a9","resolution":{"observed_at":"2026-08-12T11:53:43.817239Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-18T06:34:40.430872+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"state":"measured"}}],"paper":{"arxiv_id":"2608.11026","last_updated":"2026-08-11T15:07:09Z","latest_version":1,"primary_category":"eess.AS","snapshot_observed_at":"2026-08-16T20:37:30.085527Z","submitted_at":"2026-08-11T15:07:09Z","title":"MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space"},"reference_resolution":{"displayed":57,"state_counts":{"malformed_identifier":0,"metadata_mismatch":0,"parse_uncertain":0,"unresolved":11,"verified_exact":1,"verified_fuzzy":45},"total_outbound_references":57},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-18T06:34:40.430872+00:00","source":"crossref"},{"observed_at":"2026-08-18T06:34:34.496301+00:00","source":"retraction_watch"}],"thesis":"As of 18 August 2026, this Paper Citation Record lists 57 of 57 outbound references and 1 inbound Pith citation observation for arXiv:2608.11026."}