Paper Citation Record · LEDGER

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance

As of 10 August 2026, this Paper Citation Record lists 52 of 52 outbound references and 2 inbound Pith citation observations for arXiv:2506.07207.

A citation records a reference. It does not transfer a finding from one paper to another.

pith.paper-citation-record.v1
2506.07207 v2

Coverage vector

measured 52 of 52 reference resolution

Typed states for the displayed outbound observations.

Source: paper_references, paper_reference_links, observed 2026-08-07T05:44:33.758912Z

measured 54 of 54 standing notices

One-hop event checks from named stored sources.

Source: scholarly_work_events, retraction_status_cache, observed 2026-08-10T06:31:04.303077+00:00

measured 2 of 2 inbound itemization

Pith citing papers itemized under the disclosed page cap.

Source: paper_references, paper_reference_links, observed 2026-08-07T00:57:41.300460Z

measured 0 of 1 external citation measurements

A source-named dated measurement, never combined with another source.

Source: pith, observed 2026-08-07T00:24:12.504642Z

Reference resolution

52 of 52 outbound references displayed

verified exact7
verified fuzzy28
unresolved17
parse uncertain0
malformed identifier0
metadata mismatch0

External citation measurements

No source-named external measurement is stored.

Outbound references

Observation ec3bbece-ac78-4f0c-864c-ae154b388a6e · outbound

This paper cites Timbre, 2024.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Timbre, 2024

Reference 1

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.853718Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 23ae2300-ec44-4a4c-8f20-7d87ceffc65b · outbound

This paper cites Bregman and Pierre A.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Bregman and Pierre A

Reference 2

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.841849Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 72061490-835b-48be-ab36-a6702d693a2d · outbound

This paper cites 808 bass and beyond: Evolution of an iconic sound, 2019.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance 808 bass and beyond: Evolution of an iconic sound, 2019

Reference 3

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.830429Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation f8e32039-b251-47d2-9c78-d3e1004e8845 · outbound

This paper cites Roland TR808 Rhythm Composer (Retro).

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Roland TR808 Rhythm Composer (Retro)

Reference 4

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.818318Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation c7e621e8-c4c9-4909-9c59-5bfc808ffe52 · outbound

This paper cites Roland TR-808.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Roland TR-808

Reference 5

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.115196Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 0f449532-2664-438f-a435-8421dfda564a · outbound

This paper cites Pitch of inharmonic signals.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Pitch of inharmonic signals

Reference 6

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.807266Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 48fe3c56-8754-4fc2-beb6-f702ada863f8 · outbound

This paper cites `` M elatonin'': A case study on AI -induced musical style.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance `` M elatonin'': A case study on AI -induced musical style

Reference 7

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.233231Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 1e7af8b7-adbf-4ee6-8f14-693e584533dd · outbound

This paper cites On the development and practice of AI technology for contemporary popular music production.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance On the development and practice of AI technology for contemporary popular music production

Reference 8

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.272723Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 50aa1b6a-af5c-47d9-915b-11c4482dbd41 · outbound

This paper cites Traditional machine learning for pitch detection.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Traditional machine learning for pitch detection

Reference 9

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.331720Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 1d3492f7-8d1a-4daa-a0df-a10d7f98779e · outbound

This paper cites 808 (documentary film), 2015.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance 808 (documentary film), 2015

Reference 10

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.796814Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation d73eb9e2-a4fd-4ad6-b950-864a772014c7 · outbound

This paper cites Normal vibration frequencies of a stiff piano string.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Normal vibration frequencies of a stiff piano string

Reference 11

Resolution: verified exact; doi, observed 2026-08-07T05:44:33.882515Z

Source-reported events for the cited work

correction dated 2005-09-30. Source: crossref record 10.1121/1.1919187->10.1121/1.1918933:correction, observed 2026-07-11T03:06:37.728191+00:00. This notice travels one citation hop only.

Observation dc45b458-7a7a-44e5-a0ac-08b9bf61f5c1 · outbound

This paper cites Loudness, its definition, measurement and calculation.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Loudness, its definition, measurement and calculation

Reference 12

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.523772Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 0b871c47-a0dc-4c46-97b3-587f4339c9d0 · outbound

This paper cites An optimum processor theory for the central formation of the pitch of complex tones.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance An optimum processor theory for the central formation of the pitch of complex tones

Reference 13

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.606328Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 5404e8ab-0ff5-4ed5-b472-48ca5005dafb · outbound

This paper cites On the sensations of tone as a physiological basis for the theory of music.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance On the sensations of tone as a physiological basis for the theory of music

Reference 14

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.784530Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation f5c2ad67-3a77-4b78-b43b-481375c5b628 · outbound

This paper cites Hyper music, 2024.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Hyper music, 2024

Reference 15

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.775208Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation beb570ea-d8d9-42c8-89c8-7419ebc6914e · outbound

This paper cites Normal equal-loudness level contours-ISO 226: 2023.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Normal equal-loudness level contours-ISO 226: 2023

Reference 16

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.764398Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 16df1bc9-0a52-46ad-893c-892df5171fe4 · outbound

This paper cites a rvel \.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance a rvel \

Reference 17

Resolution: verified exact; raw_fallback, observed 2026-08-07T05:44:34.363844Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation d6adae4e-dfcc-4d1c-acce-b2625f3344ab · outbound

This paper cites a rvel \.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance a rvel \

Reference 18

Resolution: verified exact; raw_fallback, observed 2026-08-07T05:44:34.271859Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation cebc9d14-c115-486f-bff8-056453b51536 · outbound

This paper cites The timbre model.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance The timbre model

Reference 19

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.753312Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation d5dee0fe-e151-43e4-836a-aaeb87aee963 · outbound

This paper cites Crepe: A convolutional representation for pitch estimation.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Crepe: A convolutional representation for pitch estimation

Reference 20

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.650878Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 01ccafbb-eeea-4699-8dcd-d5718e2fa5a5 · outbound

This paper cites What is an 808? 7 ways to make huge 808 kicks, Sep.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance What is an 808? 7 ways to make huge 808 kicks, Sep

Reference 21

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.742918Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 41e2ee8b-efce-4b13-b56a-598b023c17a4 · outbound

This paper cites A duplex theory of pitch perception.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance A duplex theory of pitch perception

Reference 22

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.656976Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation d9a5ecff-a59d-4a73-998c-672949fe2c25 · outbound

This paper cites Approximate note transcription for the improved identification of difficult chords.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Approximate note transcription for the improved identification of difficult chords

Reference 23

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.660090Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 2f590c15-32d6-499d-90ab-27714a9f77ef · outbound

This paper cites Harmonie Universelle.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Harmonie Universelle

Reference 24

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.732596Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 2374f18e-831c-4043-ba47-5402279659da · outbound

This paper cites Roland TR-808 Rhythm Composer , 2003.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Roland TR-808 Rhythm Composer , 2003

Reference 25

Resolution: verified exact; raw_fallback, observed 2026-08-07T05:44:34.126304Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 87473c99-0ae5-4606-9bbe-bf7ef6fb93c5 · outbound

This paper cites An introduction to the psychology of hearing.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance An introduction to the psychology of hearing

Reference 26

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.722822Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 390e47ef-11c8-40ff-a7a2-1fcec60b7b3e · outbound

This paper cites Thresholds for hearing mistuned partials as separate tones in harmonic complexes.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Thresholds for hearing mistuned partials as separate tones in harmonic complexes

Reference 27

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.671900Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation fe6bab78-622b-4f1f-a979-c38f753942f7 · outbound

This paper cites Vitalic biography.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Vitalic biography

Reference 28

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.712706Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 8ad023c0-a304-4896-a9b2-c98195037125 · outbound

This paper cites A comparative performance study of several pitch detection algorithms.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance A comparative performance study of several pitch detection algorithms

Reference 29

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.678559Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 11dce0eb-6df0-4b80-8739-75335ad8d5ed · outbound

This paper cites The perception of musical tones.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance The perception of musical tones

Reference 30

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.681443Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 8baada42-76c9-4e1f-ac91-188d545228fd · outbound

This paper cites String inharmonicity and piano tuning.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance String inharmonicity and piano tuning

Reference 31

Resolution: verified exact; doi, observed 2026-08-07T05:44:33.841688Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 8f09752a-3430-4211-8f1b-3cc7d01c6d54 · outbound

This paper cites A re-determination of the equal-loudness relations for pure tones.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance A re-determination of the equal-loudness relations for pure tones

Reference 32

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.687890Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation a79f374b-e7ce-4554-9204-32cf053801b8 · outbound

This paper cites The residue, a new component in subjective sound analysis.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance The residue, a new component in subjective sound analysis

Reference 33

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.702740Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation c4c9237a-0ceb-4201-aec8-d4f7e73ddeea · outbound

This paper cites Observations on the vibrations of piano strings.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Observations on the vibrations of piano strings

Reference 34

Resolution: verified exact; doi, observed 2026-08-07T05:44:33.823295Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 3c6b535d-21e3-47b1-8264-1c99268a8be5 · outbound

This paper cites Evaluation of different loudness models with music and speech material.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Evaluation of different loudness models with music and speech material

Reference 35

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.693203Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 909a3c58-9baf-40c9-b248-ee96e2be5043 · outbound

This paper cites Open-unmix-a reference implementation for music source separation.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Open-unmix-a reference implementation for music source separation

Reference 36

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.701676Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 85615106-24c0-4ef6-974f-28fc6774c1c0 · outbound

This paper cites The Ohm-Seebeck dispute , Hermann von Helmholtz , and the origins of physiological acoustics.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance The Ohm-Seebeck dispute , Hermann von Helmholtz , and the origins of physiological acoustics

Reference 37

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.705624Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 9bc0f49d-1f1e-47cc-b694-4bb8d56a8927 · outbound

This paper cites No fun [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance No fun [song]

Reference 38

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.682965Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation c0402ede-f756-4cb0-8740-39641ab8fd04 · outbound

This paper cites Poney part 1 [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Poney part 1 [song]

Reference 39

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.672323Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 2a44fae4-c33d-42e3-a4bf-38a44ce059a5 · outbound

This paper cites Station MIR 2099 [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Station MIR 2099 [song]

Reference 40

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.662403Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 9c8c04eb-e8f8-4d01-b121-fda370173990 · outbound

This paper cites La mort sur le dance floor [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance La mort sur le dance floor [song]

Reference 41

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.650943Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 5f0fca14-3a8d-4434-be2d-3bb78ef491c8 · outbound

This paper cites Next I 'm ready [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Next I 'm ready [song]

Reference 42

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.640317Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation bd8c92ae-c4aa-4a1a-8afc-e2e51ddccad9 · outbound

This paper cites Eternity [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Eternity [song]

Reference 43

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.630187Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 9ab704a1-43aa-4fb7-b644-e5245400454b · outbound

This paper cites Nozomi [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Nozomi [song]

Reference 44

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.620071Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 8c6a8771-2f7d-431e-93b6-50487a33bd33 · outbound

This paper cites Use it or lose it [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Use it or lose it [song]

Reference 45

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.609536Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 67b248f1-5196-4b9b-b8cf-38801a49a07c · outbound

This paper cites Cosmic renegade [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Cosmic renegade [song]

Reference 46

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.600199Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation c0ef8213-4b31-4636-9d91-f2612a0d0fe9 · outbound

This paper cites Sirens [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Sirens [song]

Reference 47

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.590262Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation eeb3b108-4812-4f81-8037-cffd937dd7ea · outbound

This paper cites And it goes like [song].

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance And it goes like [song]

Reference 48

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.580067Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 1a47d430-8dcb-40de-86f0-150ba0b1d814 · outbound

This paper cites A physically-informed, circuit-bendable, digital model of the Roland TR-808 bass drum circuit.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance A physically-informed, circuit-bendable, digital model of the Roland TR-808 bass drum circuit

Reference 49

Resolution: verified fuzzy; raw_fallback, observed 2026-08-07T05:44:34.568357Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Observation 3b016bd1-83e0-43a3-b154-8dac66ac884c · outbound

This paper cites Wertheimer.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Wertheimer

Reference 50

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.751836Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 1270fd01-1bf6-4710-beda-4a46b90a60c9 · outbound

This paper cites Pitch perception.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Pitch perception

Reference 51

Resolution: unresolved; no resolver link, observed 2026-08-07T05:44:33.755808Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 0850a293-f0dc-4ab1-aa08-9b89754afd14 · outbound

This paper cites Inharmonicity of plain wire piano strings.

Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance Inharmonicity of plain wire piano strings

Reference 52

Resolution: verified exact; doi, observed 2026-08-07T05:44:33.791566Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.

Pith citing papers

Observation 8961f15c-62db-4f78-8b48-341aa0145fbf · inbound

Methods for pitch analysis in contemporary popular music: multiple pitches from harmonic tones in Vitalic's music cites this paper.

Methods for pitch analysis in contemporary popular music: multiple pitches from harmonic tones in Vitalic's music Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance

Reference 9

Resolution: unresolved; no resolver link, observed 2026-08-07T00:57:41.300460Z

Source-reported events for the cited work

Unavailable: canonical work link unavailable.

Observation 8281e946-8d32-48d1-ac33-8b677eb2c135 · inbound

Evolving music theory for emerging musical languages cites this paper.

Evolving music theory for emerging musical languages Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance

Reference 14

Resolution: verified exact; local_arxiv, observed 2026-08-07T00:24:12.514740Z

Source-reported events for the cited work

No event found in the named queried sources as of 2026-08-10T06:31:04.303077+00:00.