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Self-supervised Audio Teacher-Student Transformer for Both Clip-level and Frame-level Tasks

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arxiv 2306.04186 v2 pith:EZNTATJC submitted 2023-06-07 eess.AS cs.LG

classification eess.AScs.LG
keywords frame-levelclip-leveltasksaudioatst-frameatst-clipdownstreamlearning
verification ladder T0 review T1 audit T2 compute T3 formal
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Self-supervised learning (SSL) has emerged as a popular approach for learning audio representations. One goal of audio self-supervised pre-training is to transfer knowledge to downstream audio tasks, generally including clip-level and frame-level tasks. While frame-level tasks are important for fine-grained acoustic scene/event understanding, prior studies primarily evaluate on clip-level downstream tasks. In order to tackle both clip-level and frame-level tasks, this paper proposes Audio Teacher-Student Transformer (ATST), with a clip-level version (named ATST-Clip) and a frame-level version (named ATST-Frame), responsible for learning clip-level and frame-level representations, respectively. Both methods use a Transformer encoder and a teacher-student training scheme. We have carefully designed the view creation strategy for ATST-Clip and ATST-Frame. Specifically, ATST-Clip uses segment-wise data augmentations, and ATST-Frame integrates frame-wise data augmentations and masking. Experimental results show that our ATST-Frame model obtains state-of-the-art (SOTA) performances on most of the clip-level and frame-level downstream tasks. Especially, it outperforms other models by a large margin on the frame-level sound event detection task. In addition, the performance can be further improved by combining the two models through knowledge distillation. Our code is available online.

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  1. AudioBERTScore: Objective Evaluation of Environmental Sound Synthesis Based on Similarity of Audio embedding Sequences

    cs.SD 2025-07 conditional novelty 6.0 of 10

    AudioBERTScore, a training-free metric combining max-norm and p-norm similarity of audio embeddings, correlates more strongly with human subjective scores for text-to-audio synthesis than conventional metrics.

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