Pith. sign in

REVIEW

Modeling synchronization in human musical rhythms using Impulse Pattern Formulation (IPF)

Not yet reviewed by Pith; the record is open.

This paper has not been read by Pith yet. Machine review is queued; the pith claim, tier, and objections will appear here once it completes.

SPECIMEN: schema-true, not a live event

T0 review · schema-true

One-sentence machine reading of the paper's core claim.

pith:XXXXXXXX · record.json · timestamp

arxiv 2112.03218 v1 pith:FQ32IRCP submitted 2021-12-06 q-bio.NC cs.SDeess.AS

classification q-bio.NCcs.SDeess.AS
keywords musicalsynchronizationimpulsemusiciansdrumformulationinteractionmachines
verification ladder T0 review T1 audit T2 compute T3 formal

Signed reviews

No signed human review yet.

0 comments
read the original abstract

When musicians perform in an ensemble, synchronizing to a mutual pace is the foundation of their musical interaction. Clock generators, e.g., metronomes, or drum machines, might assist such synchronization, but these means, in general, will also distort this natural, self-organized, inter-human synchronization process. In this work, the synchronization of musicians to an external rhythm is modeled using the Impulse Pattern Formulation (IPF), an analytical modeling approach for synergetic systems motivated by research on musical instruments. Nonlinear coupling of system components is described as the interaction of individually propagating and exponentially damped impulse trains. The derived model is systematically examined by analyzing its behavior when coupled to numerical designed and carefully controlled rhythmical beat sequences. The results are evaluated by comparison in the light of other publications on tapping. Finally, the IPF model can be applied to analyze the personal rhythmical signature of specific musicians or to replace drum machines and click tracks with more musical and creative solutions.

Discussion (0). Continue with ORCID to comment.

Pith tools