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Real-time Timbre Remapping with Differentiable DSP

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arxiv 2407.04547 v1 pith:5JYZPNY5 submitted 2024-07-05 cs.SD cs.AIcs.LGeess.ASeess.SP

classification cs.SDcs.AIcs.LGeess.ASeess.SP
keywords timbreexpressiontimbraldifferentiablesynthesizerinputlossmusical
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Timbre is a primary mode of expression in diverse musical contexts. However, prevalent audio-driven synthesis methods predominantly rely on pitch and loudness envelopes, effectively flattening timbral expression from the input. Our approach draws on the concept of timbre analogies and investigates how timbral expression from an input signal can be mapped onto controls for a synthesizer. Leveraging differentiable digital signal processing, our method facilitates direct optimization of synthesizer parameters through a novel feature difference loss. This loss function, designed to learn relative timbral differences between musical events, prioritizes the subtleties of graded timbre modulations within phrases, allowing for meaningful translations in a timbre space. Using snare drum performances as a case study, where timbral expression is central, we demonstrate real-time timbre remapping from acoustic snare drums to a differentiable synthesizer modeled after the Roland TR-808.

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Cited by 1 Pith paper

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score. Full citation record

  1. Simi-SFX: A similarity-based conditioning method for controllable sound effect synthesis

    cs.SD 2024-12 conditional novelty 5.0 of 10

    Simi-SFX conditions a DDSP-based sound effect synthesizer on per-class normalized Mahalanobis distances in CLAP embedding space to enable continuous timbre control and interpolation.

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