Pith. sign in

REVIEW 4 major objections 6 minor 49 references

Predicting Artificial Neural Network Representations to Learn Recognition Model for Music Identification from Brain Recordings

T0 review · 4 major / 6 minor · reviewed 2026-08-11 · deepseek-v4-flash

Pith's one-line read Training an EEG recognition model to predict ANN representations of music substantially improves music identification accuracy from noisy brain recordings.

desk verdict A genuinely interesting training trick for EEG music identification, but the paper oversells the 'ANN representation' mechanism: the target is a co-trained audio encoder, not a fixed pretrained one. read the letter →

arxiv 2412.15560 v1 pith:GV534RVY submitted 2024-12-20 q-bio.NC cs.LGcs.SDeess.ASeess.SP

classification q-bio.NCcs.LGcs.SDeess.ASeess.SP
keywords musicidentificationEEGdecodingcontrastivelearningANNrepresentationsneuralbrain-computerinterfaceNMED-Tdatasetauditoryperception
verification ladder T0 review T1 audit T2 compute T3 formal

The pith

A machine-rendered reading of the paper's core claim, the machinery that carries it, and where it could break.

The reading

The paper proposes a new training strategy for decoding music from EEG: instead of classifying brain recordings directly, the model is also trained to predict the feature representation that an artificial neural network (ANN) produces for the same music. The authors show that adding this auxiliary contrastive loss (called PredANN) to the classification objective substantially improves music identification accuracy, raising the best 2D CNN from a 0.547 classification-only baseline to 0.624 average accuracy on 3-second clips, and to 0.783 at 7 seconds with mean scoring. The improvement is robust across random seeds, is strongest when the EEG is delayed by about 200 ms relative to the music, and is larger with a 2D CNN than a 1D CNN. The paper interprets this as evidence that ANN representations can complement noisy, non-invasive brain recordings, and argues the framework could benefit brain-computer interfaces and the study of music cognition.

What carries the argument

The load-bearing mechanism is the PredANN loss: an InfoNCE-style contrastive loss (Eq. 2) that pulls the EEG encoder's feature embedding toward the music encoder's feature embedding for the same song while repelling embeddings from different songs, with a stop-gradient operation that prevents the music encoder from being updated by this loss. The model also jointly trains both branches on the 10-way song classification task (Eq. 1), and the total loss is the sum of the two classification losses plus the weighted PredANN loss (Eq. 3). The stop-gradient is the key design choice: it keeps the ANN representations discriminative for the target task rather than letting EEG noise corrupt them, and the paper shows that removing it degrades accuracy. The same architecture is used for both encoders, a 2D CNN based on prior work, with the contrastive head branching off after the main classification head.

What would settle it

Train the same model but replace the jointly-trained music encoder with a fixed, pretrained music model that is not updated by the PredANN loss, then compare accuracy; if accuracy does not exceed the classification-only baseline, the reported benefit is not due to predicting ANN representations.

Watch

Extended reading notes

Core claim

The central discovery is that a recognition model for brain recordings can be trained to predict the representations of an artificial neural network processing the same auditory stimulus, and this reverses the usual direction of ANN-brain alignment studies: instead of regressing from ANN to cortical activity, the authors regress from EEG to ANN features as a supervisory signal. Concretely, the model optimizes the sum of an EEG classification loss, a music classification loss, and a weighted InfoNCE-style contrastive loss between the two modalities, with a stop-gradient applied to the music branch so that the ANN encoder is not distorted by EEG noise. On the NMED-T dataset, the best configuration (2D CNN, PredANN weight 0.05, 200 ms delay) attains 0.624 average accuracy over three seeds on 3-second clips versus 0.547 for the classification-only baseline, and 0.783 at 7-second evaluation with the mean scoring rule. The authors further report that the improvement is statistically significant for most seeds, that the optimal 200 ms delay matches known auditory response latencies, and that longer evaluation windows monotonically improve accuracy without retraining.

Load-bearing premise

The supervisory 'ANN representation' comes from a music encoder that is randomly initialized and trained jointly with the EEG model on the same ten songs, so it is not an independently pre-trained ANN representation.

Editorial extensions

If this is right

  • Increasing the EEG evaluation length from 3 to 7 seconds via overlapping windows improves accuracy (from 0.716 to 0.783 with mean scoring) without any additional training, supporting real-time sliding-window decoding.
  • The 200 ms delay between music onset and EEG input consistently improves accuracy, aligning with known auditory response latencies and suggesting that temporal alignment matters for EEG decoding.
  • The stop-gradient operation on the music branch is essential: removing it drops average accuracy from 0.624 to 0.497, supporting the claim that preserving ANN discriminative power is key.
  • The proposed point-to-point contrastive alignment substantially outperforms the set-to-set gradient-reversal domain adaptation of a prior study (0.624 vs about 0.159 average) on the same 10-class task.
  • Song and subject analyses show that accuracy depends on both stimulus distinctiveness (songs with electronic or unusual features are easier) and individual differences, which the authors interpret as reflecting neural response salience.

Reading between the lines

Editorial extensions of the paper, not claims the author makes directly.

  • Because the music encoder is randomly initialized and co-trained rather than a fixed pretrained ANN, the paper's claim that 'ANN knowledge' complements EEG is not fully established; a direct test would be to fix a pretrained music-encoding network and see whether the same gain persists.
  • If the benefit is mainly a regularizing or optimization effect rather than genuine ANN-brain alignment, the method may transfer to any paired stimulus-recording domain, such as speech, video, or imagined music, where a co-trained 'teacher' representation is available.
  • The 200 ms peak could serve as a calibration sanity check for other EEG decoding pipelines: a pipeline that shows no such latency dependence may be learning spurious features.
  • A testable extension is to vary the strength of the stop-gradient, for example by applying it only every other batch, to map how much ANN-branch plasticity hurts EEG accuracy.
Share X Bluesky LinkedIn Reddit HN

Editorial analysis

A structured set of objections, weighed in public.

Desk editor's note, referee report, and a circularity audit.

Referee Report

4 major / 6 minor

Summary. The manuscript proposes an auxiliary 'PredANN' loss that trains an EEG encoder to predict embeddings produced by a music CNN, while both branches also solve a 10-song classification task. On the NMED-T dataset, the method reports average accuracy of 0.624 over three seeds for 3-second clips with a 2D CNN, versus 0.547 for the classification-only baseline, and 0.783 at 7 seconds with the mean scoring method. The paper interprets these gains as evidence that ANN representations can complement noisy EEG signals for music identification.

Significance. If the improvement were shown to derive from a fixed, independently trained ANN representation, this would be a novel way to exploit brain-ANN similarity for neural decoding. The empirical recipe may still be useful as a cross-modal distillation technique, and the authors use a public dataset, describe preprocessing in detail, and report McNemar tests. However, the current design does not separate the hypothesized mechanism from generic regularization or co-training drift, so the significance claim is conditional on a stronger experimental control.

major comments (4)
  1. [Methods, Eqs. (1)-(3)] The load-bearing claim is that training an EEG model to predict ANN representations improves recognition. But the 'ANN representation' is not a fixed pretrained model: the music encoder is randomly initialized and trained jointly on the same 10 song labels through LclsM, with only stop-gradient applied to the PredANN term. Therefore the comparison between lambda=0 and lambda=0.05 cannot separate knowledge transferred from an independent pretrained ANN from (i) cross-modal distillation toward an audio representation learned on the same training split, (ii) optimization stabilization from a second view, or (iii) label-driven drift of the target during training. To support the central claim, the authors should either use a frozen, pretrained music-identification ANN as the target, or re-scope the claim to co-trained cross-modal distillation and include a control with a randomly initialized, untrained target.
  2. [Results: Robustness Testing, Table 1] The 1D CNN baseline collapses to chance-level accuracy of 0.100 on seeds 0 and 1, while reaching 0.486 and 0.474 on seeds 2 and 42. This bimodal behavior indicates optimization failure in the baseline, not a typical performance level, so the reported average of 0.324 is dominated by two failed runs. The claim that PredANN makes learning robust may be true, but the comparison is misleading as presented. The authors should report results conditioned on successful baseline training, fix the baseline's training procedure, or use multiple restarts and report the full distribution of outcomes.
  3. [Results: 2D CNN vs 1D CNN, Table 3] The headline improvement of the 2D CNN over its own classification-only baseline is not statistically significant for seed 1 (p=0.367), one of the three seeds. The average gain (0.624 vs 0.547) therefore rests on inconsistent seed-level differences. The authors should report per-seed confidence intervals, increase the number of seeds, or otherwise demonstrate that the effect is not driven by a subset of initializations.
  4. [Results: Incorporating Time-delay, Table 2 and Figure 2] The 200 ms delay was selected after scanning 80, 160, 320, and 640 ms, then adding 240 and 480 ms, and finally testing 200 ms, all on the same evaluation data. No correction for multiple comparisons is applied, and no separate validation set is used for delay selection. The reported p-values for 200 ms versus 0 ms (seed 0 p<0.001, seed 1 p=0.0043) are post-selection and therefore overstate significance. The delay should be treated as a selected hyperparameter with a held-out validation split, or the full search and a multiple-testing correction should be reported.
minor comments (6)
  1. [Abstract and Introduction] The phrase 'ANN representations' is used throughout to describe the target, but the music encoder is randomly initialized and co-trained on the same labels. Please clarify this in the abstract and introduction so that readers are not misled about the nature of the supervisory signal.
  2. [Methods, Eq. (2)] The indices in Eq. (2) run from 0 to B, but a mini-batch of size B typically has indices 0 to B-1; please fix the indexing and clarify the batch-size convention.
  3. [Results, Table 1 and Table 3] The captions of Tables 1 and 3 should identify which rows are baseline models and which are proposed models; currently the reader must infer this from the text.
  4. [Methods: Model Training and Evaluation] Please report the optimizer, learning rate, weight decay, batch size, and the meaning of 'stride of 200' in terms of samples or time steps; these details are needed for reproducibility.
  5. [Results: Previous Study Comparison] The comparison with Avramidis et al. (Table 4) is not a controlled comparison because the architecture, delay, loss weights, and evaluation protocol differ. Presenting this as an indicative benchmark rather than a head-to-head comparison would be more accurate.
  6. [Discussion] Reference 42 is cited as a PsyPost article, which is not a peer-reviewed source; please replace it with the underlying primary literature if available.

Circularity Check

1 steps flagged · score 6.0 of 10

The 'ANN representation' supervision is supplied by a randomly initialized music encoder trained jointly on the same 10 labels (Eqs. 1-3), so the claimed brain-ANN mechanism reduces to cross-modal distillation from a co-trained audio classifier.

  1. fitted input called prediction [Methods, Model Architecture and Losses, Eqs. (1)-(3)]
    "The proposed model consists of two distinct but structurally identical CNN-based encoders: one for processing raw EEG data and another for processing audio data. ... The final loss function is a weighted combination of three components: the EEG classification loss, the music classification loss, and the PredANN loss. This cumulative loss function drives joint optimization, allowing the model to simultaneously learn discriminative features for classification and representations for contrastive learning."

    The supervision target zMII in Eq. (2) is the output of the music encoder, which is initialized randomly and trained with LclsM in Eq. (1) on the same 10 song labels used for LclsE; Eq. (3) optimizes both branches jointly, and the stop-gradient only prevents EEG gradients from updating the music branch. The paper nowhere uses a frozen or pretrained ANN of the kind whose brain-alignment motivated the method. Consequently, 'predicting ANN representations' does not test whether an external, brain-aligned ANN supplies complementary information: the target is a co-trained, label-conditioned audio embedding, and the lambda>0 gain can be explained by cross-modal distillation or optimization regularization on the same training labels.

full rationale

The empirical comparison between PredANN loss weight 0.05 and weight 0 is genuine: the authors report higher accuracy for the proposed model over multiple seeds, and the improvement is not definitionally identical to the classification loss because the audio modality and stop-gradient give the PredANN term independent content. However, the load-bearing conceptual claim—that ANN representations, shown in prior brain-encoding work to resemble cortical responses, are being used as an external supervisory signal—is not supported by the implemented loss. The music encoder is a randomly initialized CNN trained jointly on the same 10 song labels, so its representations are generated by the same task and data that define the EEG classification objective. This makes the 'prediction' of ANN representations a cross-modal alignment to a co-trained audio classifier rather than a test of knowledge transferred from an independent pretrained ANN. A control using a frozen, pretrained music encoder would have broken the circularity; as written, the paper's mechanism reduces to self-distillation or regularization, and the brain-ANN interpretation is not established. No self-citation chains or imported uniqueness arguments appear, so the circularity is partial and confined to the operationalization of the supervisory target.

Assumptions & free parameters 3 free parameters · 4 assumptions · 0 invented entities

The central claim rests on two fitted hyperparameters (lambda and delay) and on the assumption that a jointly trained music encoder can serve as an external ANN representation. No new physical or conceptual entities are introduced beyond the training objective itself.

free parameters (3)
  • PredANN loss weight lambda = 0.05
    Chosen by tuning on validation (0.01, 0.05, 0.1 then 0.03 to 0.07); the central method depends on this weight.
  • EEG-to-music delay = 200 ms
    Selected after scanning 0, 80, 160, 240, 320, 480, and 640 ms plus intermediate values; the peak was chosen post hoc.
  • InfoNCE temperature tau = not reported
    The temperature in Eq. (2) controls the sharpness of the contrastive loss and is not stated in the paper, creating a reproducibility gap.
assumptions (4)
  • ad hoc to paper A randomly initialized CNN trained on the same 10-song labels can serve as the 'ANN representation' that resembles cortical representations.
    Introduction and Methods assume the jointly trained music encoder stands in for the ANN representations used in prior brain-encoding studies, without using a fixed pretrained model.
  • domain assumption EEG signals in NMED-T contain stable song-discriminative information within 3-second windows at 125 Hz.
    The entire classification task presupposes this; no subject-independent or signal-to-noise validation is provided.
  • domain assumption Samples used in McNemar's test are independent.
    Overlapping windows and repeated subjects violate the independence assumption, making the reported p-values unreliable.
  • standard math Standard properties of cross-entropy, InfoNCE, and stochastic gradient optimization hold.
    The loss definitions in Eq. (1) to Eq. (3) rely on conventional deep learning assumptions.

how reviews work

0 comments
Cite this review

Pith. "Pith review of Predicting Artificial Neural Network Representations to Learn Recognition Model for Music Identification from Brain Recordings." pith.science (2026). https://pith.science/paper/GV534RVY

@misc{pith2026241215560,
  author       = {Pith},
  title        = {Pith review of: Predicting Artificial Neural Network Representations to Learn Recognition Model for Music Identification from Brain Recordings},
  year         = {2026},
  howpublished = {\url{https://pith.science/paper/GV534RVY}},
  note         = {Machine review of arXiv:2412.15560}
}
read the original abstract

Recent studies have demonstrated that the representations of artificial neural networks (ANNs) can exhibit notable similarities to cortical representations when subjected to identical auditory sensory inputs. In these studies, the ability to predict cortical representations is probed by regressing from ANN representations to cortical representations. Building upon this concept, our approach reverses the direction of prediction: we utilize ANN representations as a supervisory signal to train recognition models using noisy brain recordings obtained through non-invasive measurements. Specifically, we focus on constructing a recognition model for music identification, where electroencephalography (EEG) brain recordings collected during music listening serve as input. By training an EEG recognition model to predict ANN representations-representations associated with music identification-we observed a substantial improvement in classification accuracy. This study introduces a novel approach to developing recognition models for brain recordings in response to external auditory stimuli. It holds promise for advancing brain-computer interfaces (BCI), neural decoding techniques, and our understanding of music cognition. Furthermore, it provides new insights into the relationship between auditory brain activity and ANN representations.

Figures

Figures reproduced from arXiv: 2412.15560 by the authors.

Figure 1
Figure 1. Conceptual framework of our approach: predicting ANN representation to learn auditory EEG recognition model. When constructing a recognition model that uses brain recordings obtained in response to an auditory stimulus as input, the model is trained to predict the ANN representation obtained by inputting the same auditory stimulus into the ANN. This framework improves the performance of the recognition model by effe… view at source ↗
Figure 2
Figure 2. The accuracy of different delays. The line graph illustrates the variation in accuracy across different delay in￾tervals, with the blue line representing the maximum method and the orange line denoting the average method. Both evaluation methods exhibited a peak at a delay of 200 ms. This aligns with prior research, suggesting that this delay corresponds to the typical human auditory reaction time of musical onset, … view at source ↗
Figure 3
Figure 3. Previous model structure The network proposed in the previous study 35 utilized a common layer to align EEG and music modalities, along with a GRL for domain adaptation. Different Evaluation Length We subsequently explored classifying EEG with durations longer than 3 seconds. By applying overlapping 3-second sliding windows with a 1-second stride, we predicted each window separately to obtain results for the entire … view at source ↗
Figures from the paper (5 more)
Figure 4
Figure 4. Figure 4: The accuracy of longer evaluation length for three methods. The line graph illustrates the variation in accuracy across different evaluation lengths, with the orange line representing the mean method, the blue line denoting the maximum method, and the green line corres…
Figure 5
Figure 5. Figure 5: Accuracies for different songs grouped into three The graph presents the results for individual songs, with distinct markers repre￾senting different songs. The songs are categorized into three groups: top, mid, and bottom, reflecting their respective contributions to m…
Figure 6
Figure 6. Figure 6: Accuracies for different individuals in the graph The graph illustrates the results for individual subjects, with distinct markers representing each subject. Three representative subjects were selected for further analysis: the best-performing subject #3, an average-pe…
Figure 7
Figure 7. Figure 7: Individual results for (a) top group, (b) middle group, (c) bottom group The graph provides an individual analysis for the three selected subjects, with distinct markers representing different songs. The markers are consistent with those used in [PITH_FULL_IMAGE:figur…
Figure 8
Figure 8. Figure 8: The proposed model. The graph illustrates the structure of the proposed model. Two separate 2D CNNs are employed to process music and EEG data independently. The outputs include individual losses for music and EEG, along with a contrastive loss for learning the relatio…

Discussion (0). Continue with ORCID to comment.

Reference graph

Works this paper leans on

49 extracted references · 31 canonical work pages

  1. [1]

    Neural decoding of music from the eeg

    Daly, I. Neural decoding of music from the eeg. Sci. Reports 13, 624, DOI: 10.1038/s41598-022-27361-x (2023). 15/18

  2. [2]

    Pasley, B. N. et al. Reconstructing speech from human auditory cortex. PLOS Biol. 10, e1001251, DOI: 10.1371/journal. pbio.1001251 (2012)

  3. [3]

    Akbari, H., Khalighinejad, B., Herrero, J. L. & Mesgarani, N. Towards reconstructing intelligible speech from the human auditory cortex. Sci. Reports 9, 874, DOI: 10.1038/s41598-018-37359-z (2019)

  4. [4]

    K., Chartier, J

    Anumanchipalli, G. K., Chartier, J. & Chang, E. F. Speech synthesis from neural decoding of spoken sentences. Nature 568, 493–498, DOI: 10.1038/s41586-019-1119-1 (2019)

  5. [5]

    Bellier, L. et al. Music can be reconstructed from human auditory cortex activity using nonlinear decoding models. PLOS Biol. 21, e3002176, DOI: 10.1371/journal.pbio.3002176 (2023)

  6. [6]

    Hoefle, S., Engel, A., Basilio, R. et al. Identifying musical pieces from fmri data using encoding and decoding models. Sci. Reports 8, 2266, DOI: 10.1038/s41598-018-20732-3 (2018)

  7. [7]

    Correia, J. et al. Brain-based translation: fmri decoding of spoken words in bilinguals reveals language-independent semantic representations in anterior temporal lobe. J. Neurosci. 34, 332–338, DOI: 10.1523/JNEUROSCI.1302-13.2014 (2014)

  8. [8]

    Di Liberto, G. M. et al. Cortical encoding of melodic expectations in human temporal cortex. eLife 9, e51784 (2022)

Show all 49 references
  1. [9]

    Millet, J. et al. Toward a realistic model of speech processing in the brain with self-supervised learning. In Proceedings of the 36th Conference on Neural Information Processing Systems (NeurIPS) (2022). *Equal contribution

  2. [10]

    Défossez, A., Caucheteux, C., Rapin, J. et al. Decoding speech perception from non-invasive brain recordings. Nat. Mach. Intell. 5, 1097–1107, DOI: 10.1038/s42256-023-00714-5 (2023)

  3. [11]

    Marion, G., Di Liberto, G. M. & Shamma, S. A. The music of silence: Part i: Responses to musical imagery encode melodic expectations and acoustics. J. Neurosci. 41, 7435–7448, DOI: 10.1523/JNEUROSCI.0183-21.2021 (2021)

  4. [12]

    & Tzanetakis, G

    Foster, C., Dharmaretnam, D., Xu, H., Fyshe, A. & Tzanetakis, G. Decoding music in the human brain using eeg data. In 2018 IEEE 20th International Workshop on Multimedia Signal Processing (MMSP) , 1–6, DOI: 10.1109/MMSP.2018. 8547051 (IEEE, 2018)

  5. [13]

    S., Farquhar, J., Blokland, Y ., Sadakata, M

    Schaefer, R. S., Farquhar, J., Blokland, Y ., Sadakata, M. & Desain, P. Name that tune: Decoding music from the listening brain. NeuroImage 56, 843–849, DOI: 10.1016/j.neuroimage.2010.05.084 (2011)

  6. [14]

    Classifying Music Perception and Imagination Using EEG

    Sternin, A. Classifying Music Perception and Imagination Using EEG . Ph.d. thesis, The University of Western Ontario (2016)

  7. [15]

    R., Sharma, E., Miyapuram, K

    Lawhatre, P., Shiraguppi, B. R., Sharma, E., Miyapuram, K. P. & Lomas, D. Classifying songs with eeg. arXiv preprint arXiv:2010.04087 (2020)

  8. [16]

    Stober, S., Sternin, A., Owen, A. M. & Grahn, J. A. Deep feature learning for eeg recordings. arXiv preprint arXiv:1511.04306v4 (2015)

  9. [17]

    P., Shiraguppi, B

    Sonawane, D., Miyapuram, K. P., Shiraguppi, B. R. & Lomas, D. J. Guessthemusic: Song identification from electroencephalography response. In Proceedings of the ACM International Conference Series , 154–162, DOI: 10.48550/arXiv.2009.08793 (2020)

  10. [18]

    Ramirez-Aristizabal, A. G. & Kello, C. Eeg2mel: Reconstructing sound from brain responses to music. arXiv preprint arXiv:2207.13845 (2022)

  11. [19]

    G., Ebrahimpour, M

    Ramirez-Aristizabal, A. G., Ebrahimpour, M. K. & Kello, C. T. Image-based eeg classification of brain responses to song recordings. arXiv preprint arXiv:2202.03265 DOI: 10.48550/arxiv.2202.03265 (2022)

  12. [20]

    P., Subramanian, R

    Pandey, P., Sharma, G., Miyapuram, K. P., Subramanian, R. & Lomas, D. Music identification using brain responses to initial snippets. In ICASSP 2022 - 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 1246–1250, DOI: 10.1109/ICASSP43922.20...

  13. [21]

    M., Marion, G

    Di Liberto, G. M., Marion, G. & Shamma, S. A. Accurate decoding of imagined and heard melodies. Front. Neurosci. 15, 673401, DOI: 10.3389/fnins.2021.673401 (2021)

  14. [22]

    V ogel, J. et al. An assistive decision-and-control architecture for force-sensitive hand–arm systems driven by hu- man–machine interfaces. The Int. J. Robotics Res. 34, 763–780, DOI: 10.1177/0278364914561535 (2015). 16/18

  15. [23]

    Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music

    Daly, I., Williams, D., Hwang, F.et al. Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music. Sci. Reports 9, 9415, DOI: 10.1038/s41598-019-45105-2 (2019)

  16. [24]

    Schirrmeister, R. T. et al. Deep learning with convolutional neural networks for eeg decoding and visualization. Hum. Brain Mapp. 38, 5391–5420, DOI: 10.1002/hbm.23730 (2017)

  17. [25]

    R., Jain, S

    Vaidya, A. R., Jain, S. & Huth, A. G. Self-supervised models of audio effectively explain human cortical responses to speech. arXiv preprint arXiv:2205.14252 (2022)

  18. [26]

    & McDermott, J

    Tuckute, G., Feather, J., Boebinger, D. & McDermott, J. H. Many but not all deep neural network audio models capture brain responses and exhibit correspondence between model stages and brain regions. PLOS Biol. 21, e3002366, DOI: 10.1371/journal.pbio.3002366 (2023)

  19. [27]

    R., Pahwa, K., Marreddy, M., Gupta, M

    Oota, S. R., Pahwa, K., Marreddy, M., Gupta, M. & Raju, B. S. Neural architecture of speech. In ICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) , 1–5, DOI: 10.1109/ICASSP49357. 2023.10096248 (IEEE, 2023)

  20. [28]

    & Vinyals, O

    van den Oord, A., Li, Y . & Vinyals, O. Representation learning with contrastive predictive coding.ArXiv abs/1807.03748 (2018)

  21. [29]

    Zhang, Y ., Jiang, H., Miura, Y ., Manning, C. D. & Langlotz, C. P. Contrastive learning of medical visual representations from paired images and text. In Lipton, Z., Ranganath, R., Sendak, M., Sjoding, M. & Yeung, S. (eds.) Proceedings of the 7th Machine Learning for Healthca...

  22. [30]

    Radford, A. et al. Learning transferable visual models from natural language supervision. In Meila, M. & Zhang, T. (eds.) Proceedings of the 38th International Conference on Machine Learning , vol. 139 of Proceedings of Machine Learning Research, 8748–8763 (PMLR, 2021)

  23. [31]

    T., Dmochowski, J

    Losorelli, S., Nguyen, D. T., Dmochowski, J. P. & Kaneshiro, B. Nmed-t: A tempo-focused dataset of cortical and behavioral responses to naturalistic music. In ISMIR, 3, 5 (2017)

  24. [32]

    Lee, J., Park, J., Kim, K. L. & Nam, J. Samplecnn: End-to-end deep convolutional neural networks using very small filters for music classification. Appl. Sci. 8, 150, DOI: 10.3390/app8010150 (2018)

  25. [33]

    & Chait, M

    Jagiello, R., Pomper, U., Yoneya, M., Zhao, S. & Chait, M. Rapid brain responses to familiar vs. unfamiliar music - an eeg and pupillometry study. Sci. Rep. 9, 15570 (2019)

  26. [34]

    & Kello, C

    Ramirez-Aristizabal, A., Ebrahimpour, M. & Kello, C. Image-based eeg classification of brain responses to song recordings. arXiv preprint arXiv:2202.03265 (2022)

  27. [35]

    & Maragos, P

    Avramidis, K., Garoufis, C., Zlatintsi, A. & Maragos, P. Enhancing affective representations of music-induced eeg through multimodal supervision and latent domain adaptation. arXiv preprint arXiv:2202.09750 (2022)

  28. [36]

    J., Di Liberto, G

    Crosse, M. J., Di Liberto, G. M., Bednar, A. & Lalor, E. C. The multivariate temporal response function (mtrf) toolbox: a matlab toolbox for relating neural signals to continuous stimuli. Front. Hum. Neurosci. 10, 604, DOI: 10.3389/fnhum.2016. 00604 (2016)

  29. [37]

    Postolache, E. et al. Naturalistic music decoding from eeg data via latent diffusion models.arXiv preprint arXiv:2405.09062 (2024)

  30. [38]

    Denk, T. I. et al. Brain2music: Reconstructing music from human brain activity. arXiv preprint arXiv:2307.11078 (2023)

  31. [39]

    & Oyama, K

    Yu, Y ., Beuret, S., Zeng, D. & Oyama, K. Deep learning of human perception in audio event classification.arXiv preprint arXiv:1809.00502 DOI: 10.48550/arXiv.1809.00502 (2018)

  32. [40]

    & Maragos, P

    Avramidis, K., Garoufis, C., Zlatintsi, A. & Maragos, P. Enhancing affective representations of music-induced eeg through multimodal supervision and latent domain adaptation. In Proceedings of IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP) ,...

  33. [41]

    Koelstra, S. et al. DEAP: A Database for Emotion Analysis Using Physiological Signals. IEEE Transactions on Affective Computing 3 (2011)

  34. [42]

    & Huang, R

    Li, Q., Liu, G., Zhang, Y ., Wu, J. & Huang, R. Neural correlates of musical familiarity: A functional magnetic resonance study. PsyPost - Psychol. News (2024). 17/18

  35. [43]

    Ding, K., Li, J., Li, X. & Li, H. Understanding the effect of listening to music, playing music, and singing on brain function: A scoping review of fnirs studies. Brain Sci. 14, 751, DOI: 10.3390/brainsci14080751 (2024)

  36. [44]

    Martínez-Molina, N., Mas-Herrero, E., Rodríguez-Fornells, A., Zatorre, R. J. & Marco-Pallares, J. White matter microstructure reflects individual differences in music reward sensitivity. J. Neurosci. 36, 5301–5310, DOI: 10.1523/ JNEUROSCI.2506-15.2016 (2016)

  37. [45]

    & Müller, M

    Stober, S., Prätzlich, T. & Müller, M. Brain beats: Tempo extraction from eeg data. In ISMIR, 276–282 (2016)

  38. [46]

    Rivera-Tello, S., Romo-Vázquez, R., González-Garrido, A. A. & Ramos-Loyo, J. Musical tempo affects eeg spectral dynamics during subsequent time estimation. Biol.Psychol. 178, 108517 (2023)

  39. [47]

    & Richard, G

    Cantisani, G., Essid, S. & Richard, G. Eeg-based decoding of auditory attention to a target instrument in polyphonic music. 2019 IEEE WASPAA 80–84 (2019)

  40. [48]

    Pedregosa, F. et al. Scikit-learn: Machine learning in python. J. Mach. Learn. Res. 12, 2825–2830 (2011)

  41. [49]

    & King, J

    Défossez, A., Caucheteux, C., Rapin, J., Kabeli, O. & King, J. R. Decoding speech from non-invasive brain recordings. arXiv preprint arXiv:2208.12266 (2022). Author contributions statement T.A. conceptualized and designed the framework, method, and experiment. K.H., P.L., and ...

Pith tools

Reviewed August 11, 2026 · model on record in the stance chip above.