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Bridging Paintings and Music -- Exploring Emotion based Music Generation through Paintings
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Rapid advancements in artificial intelligence have significantly enhanced generative tasks involving music and images, employing both unimodal and multimodal approaches. This research develops a model capable of generating music that resonates with the emotions depicted in visual arts, integrating emotion labeling, image captioning, and language models to transform visual inputs into musical compositions. Addressing the scarcity of aligned art and music data, we curated the Emotion Painting Music Dataset, pairing paintings with corresponding music for effective training and evaluation. Our dual-stage framework converts images to text descriptions of emotional content and then transforms these descriptions into music, facilitating efficient learning with minimal data. Performance is evaluated using metrics such as Fr\'echet Audio Distance (FAD), Total Harmonic Distortion (THD), Inception Score (IS), and KL divergence, with audio-emotion text similarity confirmed by the pre-trained CLAP model to demonstrate high alignment between generated music and text. This synthesis tool bridges visual art and music, enhancing accessibility for the visually impaired and opening avenues in educational and therapeutic applications by providing enriched multi-sensory experiences.
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Cited by 2 Pith papers
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MusFlow: Multimodal Music Generation via Conditional Flow Matching
MusFlow generates music from images, story texts, or captions by aligning all inputs into the CLAP audio embedding space and sampling with conditional flow matching.
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From Aesthetics to Human Preferences: Comparative Perspectives of Evaluating Text-to-Music Systems
Across five text-to-music models, aesthetic predictor scores, pairwise human preferences, and reference-based distribution metrics produce inconsistent rankings, so the choice of evaluation metric changes the winner.
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