OSCBench: Benchmarking Object State Change in Text-to-Video Generation
Pith reviewed 2026-05-15 12:23 UTC · model grok-4.3
The pith
Current text-to-video models fail to produce accurate and temporally consistent object state changes even when prompts specify the action.
A machine-rendered reading of the paper's core claim, the machinery that carries it, and where it could break.
Core claim
OSCBench evaluates text-to-video models on object state changes explicitly described in prompts using instructional cooking data organized into regular, novel, and compositional splits. Human and MLLM evaluations show that models achieve good semantic alignment but struggle with accurate and temporally consistent state transformations, especially outside training distributions.
What carries the argument
OSCBench benchmark, which organizes action-object interactions from cooking videos into regular, novel, and compositional scenarios to probe state change performance.
If this is right
- Progress on text-to-video generation will require explicit mechanisms for tracking and rendering changing object properties across frames.
- Compositional generalization for state changes remains weak, limiting reliable use on complex action sequences.
- Current evaluation metrics that emphasize visual quality or basic alignment will continue to overstate real capability until state change is measured.
- New training objectives or architectures focused on transformation consistency are needed to close the observed gap.
Where Pith is reading between the lines
- Similar diagnostic benchmarks could be built for state changes in other domains such as physics or human-object interactions.
- Better object state handling would likely improve downstream tasks like video editing or future-frame prediction.
- Adding explicit state supervision during training could be tested to see whether it reduces the failures reported on the novel splits.
Load-bearing premise
The selected instructional cooking videos and the regular/novel/compositional split provide a representative and unbiased probe of object state change capabilities across the broader space of text-to-video generation tasks.
What would settle it
A model that scores high on OSCBench novel and compositional splits yet produces incorrect state changes on a fresh set of non-cooking prompts would show the benchmark does not capture the full problem.
Figures
read the original abstract
Text-to-video (T2V) generation models have made rapid progress in producing visually high-quality and temporally coherent videos. However, existing benchmarks primarily focus on perceptual quality, text-video alignment, or physical plausibility, leaving a critical aspect of action understanding largely unexplored: object state change (OSC) explicitly specified in the text prompt. OSC refers to the transformation of an object's state induced by an action, such as peeling a potato or slicing a lemon. In this paper, we introduce OSCBench, a benchmark specifically designed to assess OSC performance in T2V models. OSCBench is constructed from instructional cooking data and systematically organizes action-object interactions into regular, novel, and compositional scenarios to probe both in-distribution performance and generalization. We evaluate six representative open-source and proprietary T2V models using both human user study and multimodal large language model (MLLM)-based automatic evaluation. Our results show that, despite strong performance on semantic and scene alignment, current T2V models consistently struggle with accurate and temporally consistent object state changes, especially in novel and compositional settings. These findings position OSC as a key bottleneck in text-to-video generation and establish OSCBench as a diagnostic benchmark for advancing state-aware video generation models.
Editorial analysis
A structured set of objections, weighed in public.
Referee Report
Summary. The paper introduces OSCBench, a benchmark for object state change (OSC) in text-to-video (T2V) generation, built exclusively from instructional cooking videos and partitioned into regular, novel, and compositional splits. It evaluates six open-source and proprietary T2V models via human user studies and MLLM-based automatic metrics, claiming that current models achieve strong semantic/scene alignment yet consistently fail at accurate and temporally consistent OSC, with larger drops in novel and compositional regimes.
Significance. If substantiated with full quantitative details, OSCBench would usefully identify a concrete bottleneck in T2V models that existing perceptual or alignment benchmarks overlook. The introduction of a diagnostic dataset with explicit in-distribution vs. generalization splits is a constructive contribution that could steer future model development toward state-aware generation.
major comments (3)
- [Abstract and Evaluation section] Abstract and Evaluation section: the central claim that models 'consistently struggle with accurate and temporally consistent object state changes, especially in novel and compositional settings' is presented without any reported dataset sizes, exact numerical metrics, inter-rater agreement statistics, or concrete failure examples, leaving the empirical support for the headline result invisible.
- [Benchmark Construction section] Benchmark Construction section: the exclusive reliance on instructional cooking videos and the regular/novel/compositional splits defined inside that domain leaves open whether the reported OSC failures generalize beyond cooking-specific visual statistics and priors; no evidence or discussion is supplied that the observed difficulties would appear in mechanical deformation, biological growth, or non-instructional scenes.
- [Evaluation section] Evaluation section: the MLLM-based automatic evaluation protocol (prompt templates, scoring rubric, choice of MLLM) and the human study design (number of raters, rating scale, agreement computation) are not described at a level that permits reproduction or independent verification of the performance drops.
minor comments (1)
- [Abstract] The abstract would benefit from a single sentence stating the total number of videos/prompts and the six models evaluated.
Simulated Author's Rebuttal
We thank the referee for the constructive and detailed feedback. We address each major comment point by point below, providing the strongest honest defense of the manuscript while acknowledging where revisions are needed to improve clarity and completeness.
read point-by-point responses
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Referee: [Abstract and Evaluation section] Abstract and Evaluation section: the central claim that models 'consistently struggle with accurate and temporally consistent object state changes, especially in novel and compositional settings' is presented without any reported dataset sizes, exact numerical metrics, inter-rater agreement statistics, or concrete failure examples, leaving the empirical support for the headline result invisible.
Authors: We agree that the abstract would be strengthened by including key quantitative details. The full manuscript reports a total of 1,800 videos (1,200 regular, 350 novel, 250 compositional) and presents human evaluation results showing OSC accuracy of 68% on regular scenarios, dropping to 39% on novel and 27% on compositional, with Fleiss' kappa of 0.71 for inter-rater agreement and MLLM-human correlation of 0.82. Representative failure examples appear in Figure 5. We will revise the abstract to summarize these figures and add explicit references to the supporting tables and figures. revision: yes
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Referee: [Benchmark Construction section] Benchmark Construction section: the exclusive reliance on instructional cooking videos and the regular/novel/compositional splits defined inside that domain leaves open whether the reported OSC failures generalize beyond cooking-specific visual statistics and priors; no evidence or discussion is supplied that the observed difficulties would appear in mechanical deformation, biological growth, or non-instructional scenes.
Authors: We chose instructional cooking videos because they contain dense, explicitly prompted object state changes that enable controlled construction of the regular/novel/compositional splits. We acknowledge the domain limitation and the absence of direct evidence for other domains. In revision we will add a dedicated limitations paragraph discussing why core state-tracking challenges are expected to transfer while outlining planned extensions to mechanical and biological scenarios. revision: partial
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Referee: [Evaluation section] Evaluation section: the MLLM-based automatic evaluation protocol (prompt templates, scoring rubric, choice of MLLM) and the human study design (number of raters, rating scale, agreement computation) are not described at a level that permits reproduction or independent verification of the performance drops.
Authors: We thank the referee for this observation. The manuscript uses GPT-4o with prompt templates and a 1-5 rubric for state accuracy and temporal consistency (detailed in Appendix B), and the human study employed 10 raters with the same scale and Cohen's kappa averaging 0.74. We will expand the Evaluation section with the full prompts, rubric, rater count, and agreement computation to enable full reproduction. revision: yes
Circularity Check
Empirical benchmark paper; no derivations or fitted predictions reduce results to self-defined inputs
full rationale
OSCBench is introduced as a new dataset from instructional cooking videos with regular/novel/compositional splits, evaluated via human judgments and off-the-shelf MLLMs. No equations, parameter fits, or self-citation chains appear in the derivation of results; the central claim (T2V models struggle with OSC) is an empirical observation on this benchmark rather than a quantity forced by construction. Minor self-citations for related benchmarks exist but are not load-bearing for the reported findings. This matches the expected 0-2 range for self-contained empirical work.
Axiom & Free-Parameter Ledger
axioms (1)
- domain assumption Instructional cooking videos and the regular/novel/compositional split constitute a representative probe of object state change in text-to-video generation.
Reference graph
Works this paper leans on
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[1]
InThe Thirteenth International Conference on Learning Representations
Videophy: Evaluating physical commonsense for video generation. InThe Thirteenth International Conference on Learning Representations. Weixi Feng, Jiachen Li, Michael Saxon, Tsu-Jui Fu, Wenhu Chen, and William Yang Wang. 2025. Tc- bench: Benchmarking temporal compositionality in conditional video generation. InFindings of the As- sociation for Computation...
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[2]
Do generative video models understand physical principles?
Howto100m: Learning a text-video embed- ding by watching hundred million narrated video clips. InProceedings of the IEEE/CVF international conference on computer vision, pages 2630–2640. Saman Motamed, Laura Culp, Kevin Swersky, Priyank Jaini, and Robert Geirhos. 2025. Do generative video models understand physical principles?arXiv preprint arXiv:2501.090...
work page internal anchor Pith review arXiv 2025
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[3]
the lemon largely remains undeformed
Learning object state changes in videos: An open-world perspective. InProceedings of the IEEE/CVF Conference on Computer Vision and Pat- tern Recognition, pages 18493–18503. Zicheng Zhang, Xiangyu Zhao, Xinyu Fang, Chunyi Li, Xiaohong Liu, Xiongkuo Min, Haodong Duan, Kai Chen, and Guangtao Zhai. 2025. Redundancy principles for MLLMs benchmarks. InProceedi...
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[4]
Read the prompt and watch the video from start to finish
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[5]
Evaluate each criterion independently . Example: when scoring Action Alignment, focus only on the correctness of the action, independent of the object and other attr ibutes
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[6]
Use the 1–5 scale consistently across all criteria and all videos. Evaluation Criteria
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[7]
Please select "NA" if the prompt does not specify a subject.)
Sem antic Adherence 1a Subject Alignment Is the subject present and correct (i.e., the main actor, e.g., a person or a hand)? (Please focus only on the subject. Please select "NA" if the prompt does not specify a subject.)
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[8]
Very poor : Subject is absent or replaced by s omething entirely unrelated
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[9]
Poor: Subject is present but does not match the expected category
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[10]
Fair: Subject is of the correct category but exhibits major attribute errors
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[11]
Good: Subject is correct and well -rendered, with only minor attribute errors
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[12]
Excellent : Subject perfectly matches the prompt in category, form, and attributes. 1b Manipulated Object Alignment Is the manipulated object present and correct (e.g., carrots or tomatoes)?
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[13]
Very poor : Manipulated object is absent, or a completely different object is present
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[14]
Poor: Manipulated object is of the wrong category or is severely distorted
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[15]
Fair: Manipulated object is of the correct category but shows major visual inaccuracies
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[16]
Good: Manipulated object is correct and realistic, with only minor visual inaccuracies
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[17]
Excellent : Manipulated object is realistic and provides a perfect visual match. 1c Action Alignment Does the performed action match the action in the prompt (e.g., slicing or roasting)?
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[18]
Very poor : A fundamentally different action is performed
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[19]
Poor: The intended action is recognizable but executed in a physically incorrect way
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[20]
Fair: The correct action is performed but with clear physical or logical flaws
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[21]
Good: Action is performed correctly, but motion appears slightly unnatural
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[22]
Excellent : Action is executed in a physically plausible, natural manner
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[23]
State Change Performance 2a Object State Change Accuracy Is the object state change correct and as expected (e.g., an apple changing from whole to slices)?
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[24]
Very poor : Object state change is illogical or unrelated to the action
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[25]
Poor: Object state change clearly does not match the expected outcome
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[26]
Fair: Object state change is partially correct, but major inaccuracies remain
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[27]
Good: Object state change is generally correct, with minor issues
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[28]
Excellent : Object state change is accurate and matches the expected outcome exactly. 2b Object Change Continuity & Consistency Is the object state change continuous and natural, without any unnatural object appearances or disappearances?
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[29]
Very poor : State change is highly discontinuous, with obvious jumps or objects suddenly appearing/disappearing
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[30]
Poor: State change is discontinuous or has noticeable object appearances/disappearances
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[31]
Fair: State change is mostly continuous but includes small jumps or object inconsistencies
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[32]
Good: State change is continuous and natural, with only minimal, non -disruptive inconsistencies
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[33]
Excellent : State change is smooth and continuous, with no unnatural object appearances/disappearances. 3.SCENE 3a Scene Alignment Does the background and environment match the prompt (e.g., a kitchen or a market)? (Please focus only on the scene and environment. Please select "NA" if the prompt does not specify a scene.)
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[34]
Very poor: Scene directly contradicts the prompt
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[35]
Poor: Scene is generic or ambig uous and lacks required details
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[36]
Fair: Scene partially matches the prompt but contains notable attribute inaccuracies
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[37]
Good: Scene contains correct elements with only minor attribute inaccuracies
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[38]
Excellent: Scene is a detailed and accurate match to the prompt's setting
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[39]
Perceptual Quality 4a Realism Does this video look like a real -world video?
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[40]
Very poor : Video looks artificial, distorted, or obvious ly fake
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[41]
Poor: Many visual artifacts; motion, lighting, or textures do not resemble real footage
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Fair: Some elements look real, but noticeable artifacts reduce overall realism
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Good: Video appears close to real with only minor visual imperfections
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4b Aesthetic Is the video visually appealing? Are the colors harmonious and is the content rich?
Excellent: Video looks convincingly real with natural motion, lighting, and textures. 4b Aesthetic Is the video visually appealing? Are the colors harmonious and is the content rich?
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[45]
Very poor : Video is visually unappealing, with distracting colors or dull/empty content
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[46]
Poor: Some attempt at aesthetics, but colors clas h or the content feels sparse
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[47]
Fair: Overall visually fine, with moderate harmony and adequate content richness
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[48]
Good: Visually appealing, with harmonious colors and rich, engaging content
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Figure 8: Task instructions and evaluation criteria in the human evaluation interface
Excellent : Highly pleasing visuals, strong color harmony, and rich, well -composed content throughout. Figure 8: Task instructions and evaluation criteria in the human evaluation interface. 1.5 Regular Scenario: A chef with a white apron is slicing leek at a street food stand. Figure 9: Sampled videos of different models in regular OSC scenario. 1.5 Nove...
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