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arxiv: 2502.07328 · v3 · pith:G6G27MJG · submitted 2025-02-11 · cs.SD · cs.AI· cs.CL· cs.LG· cs.MM

Music for All: Representational Bias and Cross-Cultural Adaptability of Music Generation Models

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classification cs.SD cs.AIcs.CLcs.LGcs.MM
keywords musicmodelsgenresbiasdatasetsgenerationcross-culturalmusic-language
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The advent of Music-Language Models has greatly enhanced the automatic music generation capability of AI systems, but they are also limited in their coverage of the musical genres and cultures of the world. We present a study of the datasets and research papers for music generation and quantify the bias and under-representation of genres. We find that only 5.7% of the total hours of existing music datasets come from non-Western genres, which naturally leads to disparate performance of the models across genres. We then investigate the efficacy of Parameter-Efficient Fine-Tuning (PEFT) techniques in mitigating this bias. Our experiments with two popular models -- MusicGen and Mustango, for two underrepresented non-Western music traditions -- Hindustani Classical and Turkish Makam music, highlight the promises as well as the non-triviality of cross-genre adaptation of music through small datasets, implying the need for more equitable baseline music-language models that are designed for cross-cultural transfer learning.

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Cited by 2 Pith papers

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score.

  1. Persian MusicGen: A Large-Scale Dataset and Culturally-Aware Generative Model for Persian Music

    cs.SD 2026-05 unverdicted novelty 6.0

    Introduces the first large-scale Persian music dataset and shows fine-tuned MusicGen produces compositions more aligned with Persian stylistic conventions via tag-based evaluation.

  2. Cross-Cultural Bias in Mel-Scale Representations: Evidence and Alternatives from Speech and Music

    cs.SD 2026-04 unverdicted novelty 5.0

    Mel-scale features exhibit measurable cultural bias with 12.5% higher WER on tonal languages and 15.7% F1 drop on non-Western music, while adaptive alternatives reduce these gaps substantially.